| The first excerpt represents the past or something you must release, and is drawn from A Midsummer Night's Dream by William Shakespeare: Vncouple in the Westerne valley, let them goe;
Dispatch I say, and finde the Forrester.
We will faire Queene, vp to the Mountains top,
And marke the musicall confusion
Of hounds and eccho in coniunction
Hip. I was with Hercules and Cadmus once.
When in a wood of Creete they bayed the Beare
With hounds of Sparta; neuer did I heare
Such gallant chiding. For besides the groues,
The skies, the fountaines, euery region neere,
Seeme all one mutuall cry. I neuer heard
A Midsummer Night's Dream |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Astoria by Washington Irving: design or treachery in their thought; but M'Lellan, when he heard
that Lisa was on his way up the river, renewed his open threat of
shooting him the moment he met him on Indian land.
The representations made by Crooks and M'Lellan of the treachery
they had experienced, or fancied, on the part of Lisa, had great
weight with Mr. Hunt, especially when he recollected the
obstacles that had been thrown in his way by that gentleman at
St. Louis. He doubted, therefore, the fair dealing of Lisa, and
feared that, should they enter the Sioux country together, the
latter might make use of his influence with that tribe, as he had
in the case of Crooks and M'Lellan, and instigate them to oppose
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The third excerpt represents the future or something you must embrace, and is drawn from Enemies of Books by William Blades: "TITLEPAGES AND FRONTISPIECES.
_A Collection of upwards of_ 800 ENGRAVED TITLES AND FRONTISPIECES,
ENGLISH AND FOREIGN (_some very fine and curious) taken from
old books and neatly mounted on cartridge paper in 3 vol,
half morocco gilt. imp. folio_."
The only collection of title-pages which has afforded me unalloyed pleasure is
a handsome folio, published by the directors of the Plantin Museum, Antwerp,
in 1877, just after the purchase of that wonderful typographical storehouse.
It is called "Titels en Portretten gesneden naar P. P. Rubens voor de
Plantijnsche Drukkerij," and it contains thirty-five grand title pages,
reprinted from the original seventeenth century plates, designed by Rubens
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