Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Bruce Lee

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Paz by Honore de Balzac:

lover, seemed to me so dangerous--for me--that I invented that story of Malaga, knowing it was the sort of liaison which women cannot forgive. I did it in a moment when I felt that my love would be communicated, fatally, to you. Despise me, crush me with the contempt you have so often cast upon me when I did not deserve it; and yet I am certain that, if, on that evening when your aunt took Adam away from you, I had said what I have now written to you, I should, like the tamed tiger that sets his teeth once more in living flesh, and scents the blood, and--

"Midnight.

"I could not go on; the memory of that hour is still too living.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pride and Prejudice by Jane Austen:

Mr. Bingley will not be detained in London by them."

"Caroline decidedly says that none of the party will return into Hertfordshire this winter. I will read it to you:

" #When my brother left us yesterday, he imagined that the * business which took him to London might be concluded in three * or four days; but as we are certain it cannot be so, and at the * same time convinced that when Charles gets to town he will be * in no hurry to leave it again, we have determined on following * him thither, that he may not be obliged to spend his vacant hours * in a comfortless hotel. Many of my acquaintances are already * there for the winter; I wish that I could hear that you, my dearest *


Pride and Prejudice
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Criminal Sociology by Enrico Ferri:

speaking of the common difficulty of a critical and evidential appreciation of a mass of significant circumstances. So that, as Ellero said, in a criminal trial the decision as to fact is far more difficult than that as to law. And by this time daily practice has accumulated so many proofs, more or less scandalous, of the incapacity of the jury even to appreciate facts, that it is useless to dwell upon them.

To conclude this question of the jury, it remains to speak of its defects, which are not the more or less avoidable consequences of a more or less fortunate application of the principle, which might be the case with any social institution, but, on the contrary, are

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Jane Eyre by Charlotte Bronte:

sorrow, but as little did I dream of joy; for I never slept at all. With little Adele in my arms, I watched the slumber of childhood--so tranquil, so passionless, so innocent--and waited for the coming day: all my life was awake and astir in my frame: and as soon as the sun rose I rose too. I remember Adele clung to me as I left her: I remember I kissed her as I loosened her little hands from my neck; and I cried over her with strange emotion, and quitted her because I feared my sobs would break her still sound repose. She seemed the emblem of my past life; and he I was now to array myself to meet, the dread, but adored, type of my unknown future day.

CHAPTER XXVI


Jane Eyre