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Today's Stichomancy for Butch Cassidy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Vicar of Tours by Honore de Balzac:

of the Liberal laywer did harm to the vicar's cause. Those who were opposed to the government, and all who were known to dislike the priests, or religion (two things quite distinct which many persons confound), got hold of the affair and the whole town talked of it. The Museum expert estimated the Virgin of Valentin and the Christ of Lebrun, two paintings of great beauty, at eleven thousand francs. As to the bookshelves and the gothic furniture, the taste for such things was increasing so rapidly in Paris that their immediate value was at least twelve thousand. In short, the appraisal of the whole property by the expert reached the sum of over thirty-six thousand francs. Now it was very evident that Birotteau never intended to give Mademoiselle

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Coxon Fund by Henry James:

we would have expressed them otherwise, and Adelaide would have pretended not to hear. I had seen her, before the very fact, abstract herself nobly; and I knew that more than once, to keep it from the servants, managing, dissimulating cleverly, she had helped her husband to carry him bodily to his room. Just recently he had been so wise and so deep and so high that I had begun to get nervous--to wonder if by chance there were something behind it, if he were kept straight for instance by the knowledge that the hated Pudneys would have more to tell us if they chose. He was lying low, but unfortunately it was common wisdom with us in this connexion that the biggest splashes took place in the quietest

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Figure in the Carpet by Henry James:

supreme literary portrait, a kind of critical Vandyke or Velasquez. She had conveyed to me in abundance that she was tongue-tied by her perversity, by her piety, that she would never break the silence it had not been given to the "right person," as she said, to break. The hour however finally arrived. One evening when I had been sitting with her longer than usual I laid my hand firmly on her arm. "Now at last what IS it?"

She had been expecting me and was ready. She gave a long slow soundless headshake, merciful only in being inarticulate. This mercy didn't prevent its hurling at me the largest finest coldest "Never!" I had yet, in the course of a life that had known denials,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Brother of Daphne by Dornford Yates:

diversion.

"So perish all our enemies!" she said with a sigh of relief.

"Stage-fright, Judy, dear. You'll be all right in a minute. We're bound to excite interest. It's what we're for and what we want. I'll keep it going. Give me your wootler."

She handed me the reed, and I held it ready between my lips.

"Buck up, lass!"

Ten minutes more and we entered the village. The grounds where the fete was to be holden lay three-quarters of a mile further on. The ball was opened by two small errand boys, on whose hands, as is usual with the breed, time was lying heavily.


The Brother of Daphne