| The first excerpt represents the past or something you must release, and is drawn from Helen of Troy And Other Poems by Sara Teasdale: (The Knight and the Lady appear on the top of the tower.)
K.
Kiss me at last, my love.
L.
Oh, my sweet lord, I am too tired to kiss.
Look how the earth is like an emerald,
With rivers veined and flawed with fallow fields.
K. (Lifting her veil)
Then I kiss you, a thousand thousand kisses
For all the days ere I had won to you
Beyond the walls and gates you barred so close.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The School For Scandal by Richard Brinsley Sheridan: and that you still believe him faithful to us--
LADY SNEERWELL. I do believe so.
SURFACE. And that he has undertaken should it be necessary--to swear
and prove that Charles is at this Time contracted by vows and Honour
to your Ladyship--which some of his former letters to you will serve
to support--
LADY SNEERWELL. This, indeed, might have assisted--
SURFACE. Come--come it is not too late yet--but hark! this is
probably my Unkle Sir Oliver--retire to that Room--we'll consult
further when He's gone.--
LADY SNEERWELL. Well but if HE should find you out to--
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The third excerpt represents the future or something you must embrace, and is drawn from Chronicles of the Canongate by Walter Scott: sister's sons of his own, Robin rejected the idea of assistance,
conscious, perhaps, how much his reputation depended upon his
attending in person to the practical discharge of his duty in
every instance. He remained, therefore, contented with the
highest premium given to persons of his description, and
comforted himself with the hopes that a few journeys to England
might enable him to conduct business on his own account, in a
manner becoming his birth. For Robin Oig's father, Lachlan
M'Combich (or SON OF MY FRIEND, his actual clan surname being
M'Gregor), had been so called by the celebrated Rob Roy, because
of the particular friendship which had subsisted between the
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