| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Massimilla Doni by Honore de Balzac: from head to foot.
Emilio stood mute, seeing that the prima dona was smiling at him
through her tears.
"Your Highness does not know that the man who had me trained for the
stage--that the Duke--is Cataneo himself. And your friend Vendramini,
thinking to do you a service, let him this palace for a thousand
crowns, for the period of my season at the /Fenice/. Dear idol of my
heart!" she went on, taking his hand and drawing him towards her, "why
do you fly from one for whom many a man would run the risk of broken
bones? Love, you see, is always love. It is the same everywhere; it is
the sun of our souls; we can warm ourselves whenever it shines, and
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Devil's Dictionary by Ambrose Bierce: erroneous belief that one thing is better than another.
An ancient philosopher, expounding his conviction that life is no
better than death, was asked by a disciple why, then, he did not die.
"Because," he replied, "death is no better than life."
It is longer.
PREHISTORIC, adj. Belonging to an early period and a museum.
Antedating the art and practice of perpetuating falsehood.
He lived in a period prehistoric,
When all was absurd and phantasmagoric.
Born later, when Clio, celestial recorded,
Set down great events in succession and order,
The Devil's Dictionary |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Critias by Plato: length, and half a stadium in width, and of a proportionate height, having
a strange barbaric appearance. All the outside of the temple, with the
exception of the pinnacles, they covered with silver, and the pinnacles
with gold. In the interior of the temple the roof was of ivory, curiously
wrought everywhere with gold and silver and orichalcum; and all the other
parts, the walls and pillars and floor, they coated with orichalcum. In
the temple they placed statues of gold: there was the god himself standing
in a chariot--the charioteer of six winged horses--and of such a size that
he touched the roof of the building with his head; around him there were a
hundred Nereids riding on dolphins, for such was thought to be the number
of them by the men of those days. There were also in the interior of the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Underdogs by Mariano Azuela: "The spy!" Luis Cervantes cried triumphantly. "Didn't
I tell you?"
"Don't kill me, Chief, please don't kill me," the old ser-
geant implored squirming at the feet of Demetrio, who
stood over him, knife in hand. The victim raised his
wrinkled Indian face; there was not a single gray hair in
his head today. Demetrio recognized the spy who had
lied to him the day before. Terrified, Luis Cervantes
quickly averted his face. The steel blade went crack,
crack, on the old man's ribs. He toppled backward, his
arms spread, his eyes ghastly.
The Underdogs |
