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Today's Stichomancy for Calvin Klein

The first excerpt represents the past or something you must release, and is drawn from Herland by Charlotte Gilman:

and saw before us a band of women standing close together in even order, evidently waiting for us.

We stopped a moment and looked back. The street behind was closed by another band, marching steadily, shoulder to shoulder. We went on--there seemed no other way to go--and presently found ourselves quite surrounded by this close-massed multitude, women, all of them, but--

They were not young. They were not old. They were not, in the girl sense, beautiful. They were not in the least ferocious. And yet, as I looked from face to face, calm, grave, wise, wholly unafraid, evidently assured and determined, I had the funniest


Herland
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lost Continent by Edgar Rice Burroughs:

handed down to him either from the military number of an ancestor who had served in the English ranks during the Great War, or that originally it was the number of some famous regiment with which a forbear fought.

Now that we were reunited, we held a council to determine what course we should pursue in the immediate future. Snider was still for setting out to sea and returning to Pan-America, but the better judgment of Delcarte and Taylor ridiculed the suggestion--we should not have lived a fortnight.

To remain in England, constantly menaced by wild beasts and


Lost Continent
The third excerpt represents the future or something you must embrace, and is drawn from Damaged Goods by Upton Sinclair:

--New York Times

+++Page 4 is a virtually unreadable letter in handwritten script from M. Brieux.+++

PREFACE

My endeavor has been to tell a simple story, preserving as closely as possible the spirit and feeling of the original. I have tried, as it were, to take the play to pieces, and build a novel out of the same material. I have not felt at liberty to embellish M. Brieux's ideas, and I have used his dialogue word for word wherever possible. Unless I have mis-read the author, his sole purpose in writing LES AVARIES was to place a number of