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Today's Stichomancy for Calvin Klein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Horse's Tale by Mark Twain:

and so beautiful and shiny and black, and hasn't another color on him anywhere, except a white star in his forehead, not just an imitation star, but a real one, with four points, shaped exactly like a star that's hand-made, and if you should cover him all up but his star you would know him anywhere, even in Jerusalem or Australia, by that. And I got acquainted with a good many of the Seventh Cavalry, and the dragoons, and officers, and families, and horses, in the first few days, and some more in the next few and the next few and the next few, and now I know more soldiers and horses than you can think, no matter how hard you try. I am keeping up my studies every now and then, but there isn't much time

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

lull in the music gave them an opportunity to meet her and talk with her. Often on the street the glance of strange eyes had lingered in her memory, and sometimes had disturbed her.

Mr. Pontellier did not attend these soirees musicales. He considered them bourgeois, and found more diversion at the club. To Madame Ratignolle he said the music dispensed at her soirees was too "heavy," too far beyond his untrained comprehension. His excuse flattered her. But she disapproved of Mr. Pontellier's club, and she was frank enough to tell Edna so.

"It's a pity Mr. Pontellier doesn't stay home more in the evenings. I think you would be more--well, if you don't mind my


Awakening & Selected Short Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Drama on the Seashore by Honore de Balzac:

cast upon us that look which struck us like a blow, he turned his eyes once more to the limitless ocean, and gazed upon it, in spite of its dazzling light, as eagles gaze at the sun, without lowering his eyelids. Try to remember, dear uncle, one of those old oaks, whose knotty trunks, from which the branches have been lopped, rise with weird power in some lonely place, and you will have an image of this man. Here was a ruined Herculean frame, the face of an Olympian Jove, destroyed by age, by hard sea toil, by grief, by common food, and blackened as it were by lightning. Looking at his hard and hairy hands, I saw that the sinews stood out like cords of iron. Everything about him denoted strength of constitution. I noticed in a corner of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moon-Face and Other Stories by Jack London:

occasion; but this was not such an occasion. The man realized his predicament. He was in a narrow hole that was seven feet deep. His head did not come to the surface of the ground. He was in a trap.

He remained squatting on his heels. He was quite cool and collected; but his mind, considering every factor, showed him only his helplessness. He continued rubbing the dirt from the quartz fragments and throwing the gold into the pan. There was nothing else for him to do. Yet he knew that he would have to rise up, sooner or later, and face the danger that breathed at his back.

The minutes passed, and with the passage of each minute he knew that by so much he was nearer the time when he must stand up, or else--and his wet shirt went cold against his flesh again at the thought--or else he might receive