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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from The Hidden Masterpiece by Honore de Balzac: several parts of your painting on which the celestial flame never
shone."
"But why is it so, my dear master?" said Porbus humbly, while the
young man could hardly restrain a strong desire to strike the critic.
"Ah! that is the question," said the little old man. "You are floating
between two systems,--between drawing and color, between the patient
phlegm and honest stiffness of the old Dutch masters and the dazzling
warmth and abounding joy of the Italians. You have tried to follow, at
one and the same time, Hans Holbein and Titian; Albrecht Durier and
Paul Veronese. Well, well! it was a glorious ambition, but what is the
result? You have neither the stern attraction of severity nor the
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