| The first excerpt represents the past or something you must release, and is drawn from The Duchess of Padua by Oscar Wilde: GUIDO
Alas, I will not see her face again.
'Tis but twelve hours since I parted from her,
So suddenly, and with such violent passion,
That she has shut her heart against me now:
No, I will never see her.
MORANZONE
What will you do?
GUIDO
After that I have laid the dagger there,
Get hence to-night from Padua.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Youth by Joseph Conrad: the wreckage, we hauled. The masts stood, but we did
not know how much they might be charred down below.
It was nearly calm, but a long swell ran from the west
and made her roll. They might go at any moment. We
looked at them with apprehension. One could not fore-
see which way they would fall.
"Then we retreated aft and looked about us. The
deck was a tangle of planks on edge, of planks on end,
of splinters, of ruined woodwork. The masts rose from
that chaos like big trees above a matted undergrowth.
The interstices of that mass of wreckage were full of
Youth |
The third excerpt represents the future or something you must embrace, and is drawn from Astoria by Washington Irving: day, having come about sixteen miles. Here he remained all the
succeeding day, as well to give time for the Crows to get in the
advance, as for the stragglers, who had wandered away in quest of
water two days previously, to rejoin the camp. Indeed,
considerable uneasiness began to be felt concerning these men,
lest they should become utterly bewildered in the defiles of the
mountains, or should fall into the hands of some marauding band
of savages. Some of the most experienced hunters were sent in
search of them; others, in the meantime, employed themselves in
hunting. The narrow valley in which they encamped being watered
by a running stream, yielded fresh pasturage, and though in the
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