| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Babbitt by Sinclair Lewis: go off to Maine again. And maybe we can get that May Arnold to go along. I'll
go up to Chicago and ask her. Good woman, by golly. And afterwards I'll see
that you get started in business out West somewhere, maybe Seattle--they say
that's a lovely city."
Paul was half smiling. It was Babbitt who rambled now. He could not tell
whether Paul was heeding, but he droned on till the coming of Paul's lawyer,
P. J. Maxwell, a thin, busy, unfriendly man who nodded at Babbitt and hinted,
"If Riesling and I could be alone for a moment--"
Babbitt wrung Paul's hands, and waited in the office till Maxwell came
pattering out. "Look, old man, what can I do?" he begged.
"Nothing. Not a thing. Not just now," said Maxwell. "Sorry. Got to hurry.
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Odyssey by Homer: to his borrowing.
{33} cf. "Il." xxiv. 587,588 where the lines refer to the washing
the dead body of Hector.
{34} See illustration on opposite page. The yard is typical of
many that may be seen in Sicily. The existing ground-plan is
probably unmodified from Odyssean, and indeed long pre-Odyssean
times, but the earlier buildings would have no arches, and
would, one would suppose, be mainly timber. The Odyssean [Greek]
were the sheds that ran round the yard as the arches do now. The
[Greek] was the one through which the main entrance passed, and
which was hence "noisy," or reverberating. It had an upper story
 The Odyssey |