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Today's Stichomancy for Carl Gustav Jung

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Court Life in China by Isaac Taylor Headland:

fuse is one which often burns very much longer than we expect-- was it not one of the English kings who said "I fear I am a very long time a-dying, gentlemen" --and sometimes it burns out sooner than is intended. There were two imperial death fuses burning at the same time in that Forbidden City of Peking. The Empress Dowager had "had a stroke." Hers was undoubtedly nature's own work. But the enemies of Yuan Shih-kai tell us that the Emperor had "had a Chinese doctor," to whom the great Viceroy paid $33,000 for his services. We are told that the Empress Dowager in reality died first and then the Emperor, though the Emperor's death was first announced, and the next day that of the Dowager.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Marie by H. Rider Haggard:

catch, for they choked in her throat. Then Hans took in the situation, and wriggling his unpleasant self to my other side, lifted my hand and kissed it. Next my father spoke, saying:

"Praise be to God, he lives! Allan, my son, I am proud of you; you have done your duty as an Englishman should."

"Had to save my own skin if I could, thank you, father," I muttered.

"Why as an Englishman more than any other sort of man, Mynheer Predicant?" asked the tall stranger, speaking in Dutch, although he evidently understood our language.

"The point is one that I will not argue now, sir," answered my father, drawing himself up. "But if what I hear is true, there was a Frenchman


Marie
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Odyssey by Homer:

of the wooers.

Now forth from her chamber came the wise Penelope, like Artemis or golden Aphrodite, and they set a chair for her hard by before the fire, where she was wont to sit, a chair well-wrought and inlaid with ivory and silver, which on a time the craftsman Icmalius had fashioned, and had joined thereto a footstool, that was part of the chair, whereon a great fleece was used to be laid. Here then, the wise Penelope sat her down, and next came white-armed handmaids from the women's chamber, and began to take away the many fragments of food, and the tables and the cups whence the


The Odyssey
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Life on the Mississippi by Mark Twain:

out cargo at a landing, I was always where I could see and hear. He felt all the majesty of his great position, and made the world feel it, too. When he gave even the simplest order, he discharged it like a blast of lightning, and sent a long, reverberating peal of profanity thundering after it. I could not help contrasting the way in which the average landsman would give an order, with the mate's way of doing it. If the landsman should wish the gang-plank moved a foot farther forward, he would probably say: 'James, or William, one of you push that plank forward, please;' but put the mate in his place and he would roar out: 'Here, now, start that gang-plank for'ard! Lively, now! WHAT're you about! Snatch it!