The first excerpt represents the past or something you must release, and is drawn from The Human Drift by Jack London: of the LARBOARD watch. The vessel was on the LARBOARD tack. It
was only the other day, because of its similarity in sound to
starboard, that LARBOARD was changed to PORT. Try to imagine "All
larboard bowlines on deck!" being shouted down into the forecastle
of a present day ship. Yet that was the call used on the Pilgrim
to fetch Dana and the rest of his watch on deck.
The chronometer, which is merely the least imperfect time-piece
man has devised, makes possible the surest and easiest method by
far of ascertaining longitude. Yet the Pilgrim sailed in a day
when the chronometer was just coming into general use. So little
was it depended upon that the Pilgrim carried only one, and that
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Emerald City of Oz by L. Frank Baum: being hard and smooth. Mile after mile was speedily covered, and
before the ride had grown at all tiresome they sighted another
village. The place seemed even larger than Rigmarole Town, but was
not so attractive in appearance.
"This must be Flutterbudget Center," declared the Wizard. "You see,
it's no trouble at all to find places if you keep to the right road."
"What are the Flutterbudgets like?" inquired Dorothy.
"I do not know, my dear. But Ozma has given them a town all their
own, and I've heard that whenever one of the people becomes a
Flutterbudget he is sent to this place to live."
"That is true," Omby Amby added; "Flutterbudget Center and Rigmarole
 The Emerald City of Oz |
The third excerpt represents the future or something you must embrace, and is drawn from Crito by Plato: nor warding off evil by evil is ever right. And shall that be the premiss
of our argument? Or do you decline and dissent from this? For so I have
ever thought, and continue to think; but, if you are of another opinion,
let me hear what you have to say. If, however, you remain of the same mind
as formerly, I will proceed to the next step.
CRITO: You may proceed, for I have not changed my mind.
SOCRATES: Then I will go on to the next point, which may be put in the
form of a question:--Ought a man to do what he admits to be right, or ought
he to betray the right?
CRITO: He ought to do what he thinks right.
SOCRATES: But if this is true, what is the application? In leaving the
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