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Today's Stichomancy for Catherine Zeta-Jones

The first excerpt represents the past or something you must release, and is drawn from War and Peace by Leo Tolstoy:

absorb the very best a man shows of himself. Natasha without knowing it was all attention: she did not lose a word, no single quiver in Pierre's voice, no look, no twitch of a muscle in his face, nor a single gesture. She caught the unfinished word in its flight and took it straight into her open heart, divining the secret meaning of all Pierre's mental travail.

Princess Mary understood his story and sympathized with him, but she now saw something else that absorbed all her attention. She saw the possibility of love and happiness between Natasha and Pierre, and the first thought of this filled her heart with gladness.

It was three o'clock in the morning. The footmen came in with sad


War and Peace
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

any good, so I gave up trying. Next, Clarence found that old Merlin was making himself busy on the sly among those people. He was spreading a report that I was a humbug, and that the reason I didn't accom- modate the people with a miracle was because I couldn't. I saw that I must do something. I pres- ently thought out a plan.

By my authority as executive I threw Merlin into prison -- the same cell I had occupied myself. Then I gave public notice by herald and trumpet that I should be busy with affairs of state for a fortnight, but


A Connecticut Yankee in King Arthur's Court
The third excerpt represents the future or something you must embrace, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

roared and bobbed his shock of red wig until the audience broke out in excited applause.

Pete did not pay much attention to the progress of events upon the stage. He was drinking beer and watching Maggie.

Her cheeks were blushing with excitement and her eyes were glistening. She drew deep breaths of pleasure. No thoughts of the atmosphere of the collar and cuff factory came to her.

When the orchestra crashed finally, they jostled their way to the sidewalk with the crowd. Pete took Maggie's arm and pushed a way for her, offering to fight with a man or two.

They reached Maggie's home at a late hour and stood for a


Maggie: A Girl of the Streets