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Today's Stichomancy for Celine Dion

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Magic of Oz by L. Frank Baum:

consent to assist us in conquering Oz. But those monkeys are foolish creatures, and once they are transformed to Giants, they will do just as we say and obey our commands. Can you transform them all at once?"

"No, I must take one at a time," said Kiki. "But the fifty transformations can be made in an hour or so. Stay here, Ruggedo, and I will change the first monkey--that one at the left, on the end of the limb--into a Giant with a sword."

"Where are you going?" asked the Nome.

"I must not speak the Magic Word in the presence of another person," declared Kiki, who was determined not to allow his treacherous companion to learn his secret, "so I will go where you cannot hear me."


The Magic of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

girls want you to know, Annie, is that they have found out they have been a parcel of pigs."

"We fear we have been selfish without realizing it," said Jane, and she kissed Annie, as did Susan and Eliza. Imogen, looking very handsome in her blue linen, with her embroidery in her hands, did not kiss her sister. She was not given to demon- strations, but she smiled complacently at her.

"We are all very glad to have dear Annie back, I am sure," said she, "and now that it is all over, we all feel that it has been for the best, although it

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A House of Pomegranates by Oscar Wilde:

the South and journeyed. From the South cometh everything that is precious. Six days I journeyed along the highways that lead to the city of Ashter, along the dusty red-dyed highways by which the pilgrims are wont to go did I journey, and on the morning of the seventh day I lifted up my eyes, and lo! the city lay at my feet, for it is in a valley.

'There are nine gates to this city, and in front of each gate stands a bronze horse that neighs when the Bedouins come down from the mountains. The walls are cased with copper, and the watch- towers on the walls are roofed with brass. In every tower stands an archer with a bow in his hand. At sunrise he strikes with an

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lily of the Valley by Honore de Balzac:

tranquillity of mind, and great powers of work, and I came to understand how much these women waste our lives, believing, all the while, that a few gracious words will repay us.

But--all my resolutions came to naught; you know how and why. Dear Natalie, in telling you my life, without reserve, without concealment, precisely as I tell it to myself, in relating to you feelings in which you have had no share, perhaps I have wounded some corner of your sensitive and jealous heart. But that which might anger a common woman will be to you--I feel sure of it--an additional reason for loving me. Noble women have indeed a sublime mission to fulfil to suffering and sickened hearts,--the mission of the sister of charity who stanches


The Lily of the Valley