Today's Stichomancy for Charisma Carpenter

who did not know who his own grandfather was, who would change it for some spick and span new Gothic or Elizabethan thing, which looked as if it bad been all spawned in a night, as mushrooms are. From which you may collect (if you have wit enough) that Sir John was a very sound-headed, sound-hearted squire, and just the man to keep the country side in order, and show good sport with his hounds.

But Tom and his master did not go in through the great iron gates, as if they had been Dukes or Bishops, but round the back way, and a very long way round it was; and into a little back-door, where the ash-boy let them in, yawning horribly; and then in a passage the

very distant and all at a downward angle. The power of the light at this elevation was an unknown quantity. And the wind was sweeping vigorously across the open summit of the mountain. I put in my smallest stop, and prepared for short exposures.

My instrument was a thing called a Tourograph, which differs from most other cameras in having the plate-holder on top of the box. The plates are dropped into a groove below, and then moved into focus, after which the cap is removed and the exposure made.

I set my instrument for Ampersand Pond, sighted the picture through the ground glass, and measured the focus. Then I waited for a quiet moment, dropped the plate, moved it carefully forward to the

he led the way to the studio of his friend Adolf Naumann, whom he mentioned as one of the chief renovators of Christian art, one of those who had not only revived but expanded that grand conception of supreme events as mysteries at which the successive ages were spectators, and in relation to which the great souls of all periods became as it were contemporaries. Will added that he had made himself Naumann's pupil for the nonce.

"I have been making some oil-sketches under him," said Will. "I hate copying. I must put something of my own in. Naumann has been painting the Saints drawing the Car of the Church, and I have been making a sketch of Marlowe's Tamburlaine Driving the Conquered

Middlemarch

with, and now you want to borrow goods to pay for cattle--from me, whom you hate. You are not proud, Mynheer Pereira, when you have an end to serve, whatever that end may be," and I looked at him. My instinct warned me against this false and treacherous man, who, I felt, was even then plotting in his heart to bring some evil upon me.

"No, I am not proud. Why should I be, seeing that I mean to repay you twice over for anything which you may lend me now?"

I reflected a while. Certainly our journey to Natal would be pleasanter if Pereira were not of the company. Also, if he went with us, I was sure that before we came to the end of that trek, one or other of us would leave his bones on the road. In short, not to put too fine a

Marie