| The first excerpt represents the past or something you must release, and is drawn from Through the Looking-Glass by Lewis Carroll: nervous at the idea of trains jumping at all. `However, it'll
take us into the Fourth Square, that's some comfort!' she said to
herself. In another moment she felt the carriage rise straight
up into the air, and in her fright she caught at the thing
nearest to her hand. which happened to be the Goat's beard.
* * * * * * *
* * * * * *
* * * * * * *
But the beard seemed to melt away as she touched it, and she
found herself sitting quietly under a tree--while the Gnat (for
that was the insect she had been talking to) was balancing itself
Through the Looking-Glass |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow: You will be gainer
Both for your soul and body.
MICHAEL ANGELO.
Not events
Exasperate me, but the funest conclusions
I draw from these events; the sure decline
Of art, and all the meaning of that word:
All that embellishes and sweetens life,
And lifts it from the level of low cares
Into the purer atmosphere of beauty;
The faith in the Ideal; the inspiration
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The third excerpt represents the future or something you must embrace, and is drawn from Travels and Researches in South Africa by Dr. David Livingstone: the original was typed in (manually) twice and electronically compared.
[Note on text: Italicized words or phrases are CAPITALIZED.
Some obvious errors have been corrected.]
Missionary Travels and Researches in South Africa.
Also called, Travels and Researches in South Africa;
or, Journeys and Researches in South Africa.
By David Livingstone [British (Scot) Missionary and Explorer--1813-1873.]
David Livingstone was born in Scotland, received his medical degree
from the University of Glasgow, and was sent to South Africa
by the London Missionary Society. Circumstances led him to try to meet
the material needs as well as the spiritual needs of the people he went to,
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