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Today's Stichomancy for Charisma Carpenter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from At the Earth's Core by Edgar Rice Burroughs:

and so you will be accomplishing nothing for your friends by returning. Never in all my life have I heard of a prisoner returning to the Mahars of his own free will. There are but few who escape them, though some do, and these would rather die than be recaptured."

"I see no other way, Ja," I said, "though I can assure you that I would rather go to Sheol after Perry than to Phutra. However, Perry is much too pious to make the probability at all great that I should ever be called upon to rescue him from the former locality."

Ja asked me what Sheol was, and when I explained, as best


At the Earth's Core
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Silas Marner by George Eliot:

and the bride and bridegroom meant right. But then, when I come to think on it, meanin' goes but a little way i' most things, for you may mean to stick things together and your glue may be bad, and then where are you? And so I says to mysen, "It isn't the meanin', it's the glue." And I was worreted as if I'd got three bells to pull at once, when we went into the vestry, and they begun to sign their names. But where's the use o' talking?--you can't think what goes on in a 'cute man's inside."

"But you held in for all that, didn't you, Mr. Macey?" said the landlord.

"Aye, I held in tight till I was by mysen wi' Mr. Drumlow, and then


Silas Marner
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Garden Party by Katherine Mansfield:

weren't any strangers present. Wasn't the conductor wearing a new coat, too? She was sure it was new. He scraped with his foot and flapped his arms like a rooster about to crow, and the bandsmen sitting in the green rotunda blew out their cheeks and glared at the music. Now there came a little "flutey" bit--very pretty!--a little chain of bright drops. She was sure it would be repeated. It was; she lifted her head and smiled.

Only two people shared her "special" seat: a fine old man in a velvet coat, his hands clasped over a huge carved walking-stick, and a big old woman, sitting upright, with a roll of knitting on her embroidered apron. They did not speak. This was disappointing, for Miss Brill always looked forward to the conversation. She had become really quite expert, she

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from When a Man Marries by Mary Roberts Rinehart:

"Nothing else," he said constrainedly. "I'll move the rest of the canvases."

But Jim interfered, to every one's surprise.

"I wouldn't, if I were you, Max. There's nothing back there. I had em out yesterday." He was quite pale.

"Nonsense!" Max said gruffly. "If it's a practical joke, Jim, why don't you fess up? Anne has worried enough."

"The pearls are not there, I tell you," Jim began. Although the studio was cold, there were little fine beads of moisture on his face. "I must ask you not to move those pictures." And then Aunt Selina came to the rescue; she stalked over and stood with her