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Today's Stichomancy for Charles Bronson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

inspiriting; and there seemed a promise of calm weather, which was perfectly fulfilled. I was soon under way with Modestine. The road lay for a while over the plateau, and then descended through a precipitous village into the valley of the Chassezac. This stream ran among green meadows, well hidden from the world by its steep banks; the broom was in flower, and here and there was a hamlet sending up its smoke.

At last the path crossed the Chassezac upon a bridge, and, forsaking this deep hollow, set itself to cross the mountain of La Goulet. It wound up through Lestampes by upland fields and woods of beech and birch, and with every corner brought me into an

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sylvie and Bruno by Lewis Carroll:

in a whisper, "one of the best and cleverest boys that ever lived! I'll contrive for you to see some of his cleverness. He knows everything that other boys don't know; and in archery, in fishing, in painting, and in music, his skill is--but you shall judge for yourself. You see that target over there? He shall shoot an arrow at it. Dear boy,"he went on aloud, "his Adiposity would like to see you shoot. Bring his Highness' bow and arrows!"

Uggug looked very sulky as he received the bow and arrow, and prepared to shoot. Just as the arrow left the bow, the Vice-Warden trod heavily on the toe of the Baron, who yelled with the pain.

"Ten thousand pardons! "he exclaimed. "I stepped back in my excitement.


Sylvie and Bruno
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Robinson Crusoe by Daniel Defoe:

nothing.

Contented with this discovery, I came back to my raft, and fell to work to bring my cargo on shore, which took me up the rest of that day. What to do with myself at night I knew not, nor indeed where to rest, for I was afraid to lie down on the ground, not knowing but some wild beast might devour me, though, as I afterwards found, there was really no need for those fears.

However, as well as I could, I barricaded myself round with the chest and boards that I had brought on shore, and made a kind of hut for that night's lodging. As for food, I yet saw not which way to supply myself, except that I had seen two or three creatures


Robinson Crusoe
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Desert Gold by Zane Grey:

were covered with luxuriant grass and flowers and different kinds of trees. Gale's interest led him to ask about fig trees and pomegranates, and especially about a beautiful specimen that Belding called palo verde.

Belding explained that the luxuriance of this desert place was owing to a few springs and the dammed-up waters of the Rio Forlorn. Before he had come to the oasis it had been inhabited by a Papago Indian tribe and a few peon families. The oasis lay in an arroyo a mile wide, and sloped southwest for some ten miles or more.

The river went dry most of the year; but enough water was stored in flood season to irrigate the gardens and alfalfa fields.


Desert Gold