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Today's Stichomancy for Charles Bronson

The first excerpt represents the past or something you must release, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

The Vernal Equinox has all over the ancient world, and from the earliest times, been a period of rejoicing and of festivals in honor of the Sungod. It is needless to labor a point which is so well known. Everyone understands and appreciates the joy of finding that the long darkness is giving way, that the Sun is growing in strength, and that the days are winning a victory over the nights. The birds and flowers reappear, and the promise of Spring is in the air. But it may be worth while to give an elementary explanation of the ASTRONOMICAL meaning of this period, because this is not always understood, and yet it is very


Pagan and Christian Creeds
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Underground City by Jules Verne:

carried to a depth of fifteen hundred or even of two thousand feet, and when James Starr had retired, it was with the full conviction that even the smallest vein had been completely exhausted.

Under these circumstances, it was plain that the discovery of a new seam of coal would be an important event. Could Simon Ford's communication relate to a fact of this nature? This question James Starr could not cease asking himself. Was he called to make conquest of another corner of these rich treasure fields? Fain would he hope it was so.

The second letter had for an instant checked his speculations on this subject, but now he thought of that letter no longer. Besides, the son

The third excerpt represents the future or something you must embrace, and is drawn from The Snow Image by Nathaniel Hawthorne:

such a position as, when viewed at a proper distance, precisely to resemble the features of the human countenance. It seemed as if an enormous giant, or a Titan, had sculptured his own likeness on the precipice. There was the broad arch of the forehead, a hundred feet in height; the nose, with its long bridge; and the vast lips, which, if they could have spoken, would have rolled their thunder accents from one end of the valley to the other. True it is, that if the spectator approached too near, he lost the outline of the gigantic visage, and could discern only a heap of ponderous and gigantic rocks, piled in chaotic ruin one upon another. Retracing his steps, however, the wondrous features


The Snow Image