| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cousin Betty by Honore de Balzac: The Baron, once started on this path of reform, gave up his leather
waistcoat and stays; he threw off all his bracing. His stomach fell
and increased in size. The oak became a tower, and the heaviness of
his movements was all the more alarming because the Baron grew
immensely older by playing the part of Louis XII. His eyebrows were
still black, and left a ghostly reminiscence of Handsome Hulot, as
sometimes on the wall of some feudal building a faint trace of
sculpture remains to show what the castle was in the days of its
glory. This discordant detail made his eyes, still bright and
youthful, all the more remarkable in his tanned face, because it had
so long been ruddy with the florid hues of a Rubens; and now a certain
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Plain Tales from the Hills by Rudyard Kipling: something respectful and appropriate to the occasion. When the
corpse was dumped into the grave and the men began throwing down
armfuls of roses to cover it, the Farrier-Sergeant ripped out an
oath and said aloud:--"Why, it ain't the Drum-Horse any more than
it's me!" The Troop-Sergeant-Majors asked him whether he had left
his head in the Canteen. The Farrier-Sergeant said that he knew the
Drum-Horse's feet as well as he knew his own; but he was silenced
when he saw the regimental number burnt in on the poor stiff,
upturned near-fore.
Thus was the Drum-Horse of the White Hussars buried; the Farrier-
Sergeant grumbling. The sacking that covered the corpse was smeared
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