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Today's Stichomancy for Charles Lindbergh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Crisis in Russia by Arthur Ransome:

troops and the district east of the Ukraine was in the hands of General Krasnov, the author of a flattering letter to the Kaiser. In the northwest the Germans were at Pskov, Vitebsk and Mohilev. We ourselves were at Murmansk and Archangel. In the east, the front which became known as that of Kolchak, was on the Volga. Soviet Russia was a little hungry island with every prospect of submersion. A year later the Germans had vanished, the flatterers of the Kaiser had joined hands with those who were temporarily flattering the Allies, Yudenitch's troops were within sight of Petrograd, Denikin was at Orel, almost within

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Common Sense by Thomas Paine:

are without wars, foreign or domestic: Monarchical governments, it is true, are never long at rest; the crown itself is a temptation to enterprising ruffians at HOME; and that degree of pride and insolence ever attendant on regal authority, swells into a rupture with foreign powers, in instances, where a republican government, by being formed on more natural principles, would negotiate the mistake.

If there is any true cause of fear respecting independence, it is because no plan is yet laid down. Men do not see their way out-- Wherefore, as an opening into that business, I offer the following hints; at the same time modestly affirming, that I have no other opinion of them myself, than that they may be the means of giving rise to


Common Sense
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Walden by Henry David Thoreau:

grass and willow roots, where the muskrats lurk, I heard a singular rattling sound, somewhat like that of the sticks which boys play with their fingers, when, looking up, I observed a very slight and graceful hawk, like a nighthawk, alternately soaring like a ripple and tumbling a rod or two over and over, showing the under side of its wings, which gleamed like a satin ribbon in the sun, or like the pearly inside of a shell. This sight reminded me of falconry and what nobleness and poetry are associated with that sport. The Merlin it seemed to me it might be called: but I care not for its name. It was the most ethereal flight I had ever witnessed. It did not simply flutter like a butterfly, nor soar like the larger hawks,


Walden
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Verses 1889-1896 by Rudyard Kipling:

Or the sort that say they can see it they aren't the marrying brand. But I wanted to speak o' your mother that's Lady Gloster still -- I'm going to up and see her, without it's hurting the will. Here! Take your hand off the bell-pull. Five thousand's waiting for you, If you'll only listen a minute, and do as I bid you do. They'll try to prove me crazy, and, if you bungle, they can; And I've only you to trust to! (O God, why ain't he a man?) There's some waste money on marbles, the same as M'Cullough tried -- Marbles and mausoleums -- but I call that sinful pride. There's some ship bodies for burial -- we've carried 'em, soldered and packed; Down in their wills they wrote it, and nobody called ~them~ cracked.


Verses 1889-1896