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Today's Stichomancy for Charles Manson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

I stood up on a thwart and waved my soggy coat above my head. Nobs stood upon another and barked. The girl sat at my feet straining her eyes toward the deck of the oncoming boat. "They see us," she said at last. "There is a man answering your signal." She was right. A lump came into my throat--for her sake rather than for mine. She was saved, and none too soon. She could not have lived through another night upon the Channel; she might not have lived through the coming day.

The tug came close beside us, and a man on deck threw us a rope. Willing hands dragged us to the deck, Nobs scrambling nimbly aboard without assistance. The rough men were gentle as mothers


The Land that Time Forgot
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Betty Zane by Zane Grey:

Indian's lodge, where a warrior might point with grim pride and say: "No more does the Deathwind blow over the hills and vales." We could tell of how his keen eye once again saw Wingenund over the sights of his fatal rifle, and how he was once again a prisoner in the camp of that lifelong foe, but that's another story, which, perhaps, we may tell some day.

To-day the beautiful city of Wheeling rises on the banks of the Ohio, where the yells of the Indians once blanched the cheeks of the pioneers. The broad, winding river rolls on as of yore; it alone remains unchanged. What were Indians and pioneers, forts and cities to it? Eons of time before human beings lived it flowed slowly toward the sea, and ages after men and their works are dust, it will roll on placidly with its eternal scheme of nature.


Betty Zane
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

several passages plagiarized from him, but flagrantly at variance with historical fact. It will be seen also that I do not agree with Mr. Grote's views about the Sophists; nor with the low estimate which he has formed of Plato's Laws; nor with his opinion respecting Plato's doctrine of the rotation of the earth. But I 'am not going to lay hands on my father Parmenides' (Soph.), who will, I hope, forgive me for differing from him on these points. I cannot close this Preface without expressing my deep respect for his noble and gentle character, and the great services which he has rendered to Greek Literature.

Balliol College, January, 1871.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dunwich Horror by H. P. Lovecraft:

Fred Farr and pointing to the dank, deep hollow that yawned close by. 'Gawd,' he gasped, 'I telled 'em not ter go daown into the glen, an' I never thought nobody'd dew it with them tracks an' that smell an' the whippoorwills a-screechin' daown thar in the dark o' noonday...' A cold shudder ran through natives and visitors alike, and every ear seemed strained in a kind of instinctive, unconscious listening. Armitage, now that he had actually come upon the horror and its monstrous work, trembled with the responsibility he felt to be his. Night would soon fall, and it was then that


The Dunwich Horror