| The first excerpt represents the past or something you must release, and is drawn from The Silverado Squatters by Robert Louis Stevenson: enormously since last I saw it; and a few hundred feet below
me, in the deep gap where the Toll House stands and the road
runs through into Lake County, it had already topped the
slope, and was pouring over and down the other side like
driving smoke. The wind had climbed along with it; and
though I was still in calm air, I could see the trees tossing
below me, and their long, strident sighing mounted to me
where I stood.
Half an hour later, the fog had surmounted all the ridge on
the opposite side of the gap, though a shoulder of the
mountain still warded it out of our canyon. Napa valley and
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Maggie: A Girl of the Streets by Stephen Crane: latter dreaded, perhaps, to be either killed or laughed at.
Above all things he despised obvious Christians and ciphers
with the chrysanthemums of aristocracy in their button-holes. He
considered himself above both of these classes. He was afraid of
neither the devil nor the leader of society.
When he had a dollar in his pocket his satisfaction with existence
was the greatest thing in the world. So, eventually, he felt
obliged to work. His father died and his mother's years were
divided up into periods of thirty days.
He became a truck driver. He was given the charge of a painstaking
pair of horses and a large rattling truck. He invaded the turmoil
 Maggie: A Girl of the Streets |
The third excerpt represents the future or something you must embrace, and is drawn from The Road to Oz by L. Frank Baum: he said to the creatures, with more confidence:
"Don't you love me?"
"Yes!" they shouted, all together.
"Then you mustn't harm me, or my friends," said the shaggy man, firmly.
"We love you in soup!" they yelled, and in a flash turned their white
sides to the front.
"How dreadful!" said Dorothy. "This is a time, Shaggy Man, when you
get loved too much."
"Don't want to be soup!" wailed Button-Bright again; and Toto began
to whine dismally, as if he didn't want to be soup, either.
"The only thing to do," said the shaggy man to his friends, in a low
 The Road to Oz |