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Today's Stichomancy for Charles de Gaulle

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Aspern Papers by Henry James:

But one did not! Miss Tita sat down beside her aunt, looking as if she had reason to believe some very remarkable conversation would come off between us.

"It's about the beautiful flowers," said the old lady; "you sent us so many--I ought to have thanked you for them before. But I don't write letters and I receive only at long intervals."

She had not thanked me while the flowers continued to come, but she departed from her custom so far as to send for me as soon as she began to fear that they would not come any more. I noted this; I remembered what an acquisitive propensity she had shown when it was a question of extracting gold from me, and I privately rejoiced

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

and that way, looking for the reason, which was left untold.

"If I were young and in love with a man," said Mademoiselle, turning on the stool and pressing her wiry hands between her knees as she looked down at Edna, who sat on the floor holding the letter, "it seems to me he would have to be some grand esprit; a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."

"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing


Awakening & Selected Short Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gone With the Wind by Margaret Mitchell:

"My dear Mrs. Kennedy," he said, walking toward her. "My very dear Mrs. Kennedy!" and he broke into a loud merry laugh.

At first she was as startled as if a ghost had invaded the store and then, hastily removing her foot from beneath her, she stiffened her spine and gave him a cold stare.

"What are you doing here?"

"I called on Miss Pittypat and learned of your marriage and so I hastened here to congratulate you."

The memory of her humiliation at his hands made her go crimson with shame.

"I don't see how you have the gall to face me!" she cried.


Gone With the Wind
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Louis Lambert by Honore de Balzac:

that character bears the authority of terror; convulsions of nature are interpreted with stupendous power as a vengeance from on high. In fact, since this wandering tribe knew none of the ease enjoyed by a community settled in a patriarchal home, their sorrows as pilgrims inspired them with none but gloomy poems, majestic but blood-stained. In the Hindoos, on the contrary, the spectacle of the rapid recoveries of the natural world, and the prodigious effects of sunshine, which they were the first to recognize, gave rise to happy images of blissful love, to the worship of Fire and of the endless personifications of reproductive force. These fine fancies are lacking in the Book of the Hebrews. A constant need of self-preservation amid


Louis Lambert