| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Light of Western Stars by Zane Grey: Madeline stepped to the front of the porch. Then the deep voices
of men and softer voices of women united in one glad outburst, as
much a thanksgiving as a greeting, "MAJESTY!"
Helen Hammond was three years younger than Madeline, and a
slender, pretty girl. She did not resemble her sister, except in
whiteness and fineness of skin, being more of a brown-eyed,
brown-haired type. Having recovered her breath soon after
Madeline took her to her room, she began to talk.
"Majesty, old girl, I'm here; but you can bet I would never have
gotten here if I had known about that ride from the railroad.
You never wrote that you had a car. I thought this was out West-
 The Light of Western Stars |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lay Morals by Robert Louis Stevenson: like a sybarite, he has attentive valets in his own viscera;
he breathes, he sweats, he digests without an effort, or so
much as a consenting volition; for the most part he even
eats, not with a wakeful consciousness, but as it were
between two thoughts. His life is centred among other and
more important considerations; touch him in his honour or his
love, creatures of the imagination which attach him to
mankind or to an individual man or woman; cross him in his
piety which connects his soul with heaven; and he turns from
his food, he loathes his breath, and with a magnanimous
emotion cuts the knots of his existence and frees himself at
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sons and Lovers by D. H. Lawrence: odour of new wash-leather. He wondered what the things were. By this
time he was so much stunned that he only noticed the outside things.
"Sit down!" said Mr. Jordan, irritably pointing Mrs. Morel
to a horse-hair chair. She sat on the edge in an uncertain fashion.
Then the little old man fidgeted and found a paper.
"Did you write this letter?" he snapped, thrusting what Paul
recognised as his own notepaper in front of him.
"Yes," he answered.
At that moment he was occupied in two ways: first, in feeling
guilty for telling a lie, since William had composed the letter;
second, in wondering why his letter seemed so strange and different,
 Sons and Lovers |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Astoria by Washington Irving: feeble to follow him, and Weekes was soon obliged to abandon him
to his fate and provide for his own safety. Falling upon a beaten
path, he pursued it, and after a few hours came to a part of the
coast, where, to his surprise and joy, he beheld the ship at
anchor and was met by the captain and his party.
After Weekes had related his adventures, three parties were
despatched to beat up the coast in search of the unfortunate
islander. They returned at night without success, though they had
used the utmost diligence. On the following day the search was
resumed, and the poor fellow was at length discovered lying
beneath a group of rocks, his legs swollen, his feet torn and
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