| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Apology by Xenophon: the one grievous portion of existence. And what a glorious chance,
moreover, he had to display the full strength of his soul, for when
once he had decided that death was better for him than life, just as
in the old days he had never harshly opposed himself to the good
things of life morosely,[60] so even in face of death he showed no
touch of weakness, but with gaiety welcomed death's embrace, and
discharged life's debt.
[58] Lit. "dear to the gods"; "highly favoured."
[59] Cf. Hom. "Od." xii. 341, {pantes men stugeroi thanatoi deiloisi
brotoisin}.
[60] {prosantes}, i.e. "he faced death boldly as he had encountered
 The Apology |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs: hands upon Joan de Tany she turned upon him like a
tigress. Blow after blow she rained upon his head and
face until, in mortification and rage, he struck her full
upon the mouth with his clenched fist; but even this
did not subdue her and with ever weakening strength,
she continued to strike him. And then the great royal-
ist Earl, the chosen friend of the King, took the fair
white throat between his great fingers, and the lust
of blood supplanted the lust of love, for he would have
killed her in his rage.
It was upon this scene that the Outlaw of Torn burst
 The Outlaw of Torn |