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Today's Stichomancy for Charles de Gaulle

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

remarkably handsome man did not please him, in fact awoke in him a feeling of repulsion. The attendant's quiet, almost cat-like movements were in strange contrast to the massivity of his superb frame, and his large round eyes, shaped for open, honest glances, were shifty and cunning. They seemed to be asking "Are you trying to discover anything about me?" coupled with a threat "For your own sake you had better not do it."

When the young man had left the room Muller rose hastily and walked up and down several times. 'His face was flushed and his lips tight set. Suddenly he exclaimed: "I do not like this Gyuri."

Dr. Orszay looked up astonished. "There are many others who do not

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from De Profundis by Oscar Wilde:

all repetition is anti-spiritual. When one returns to the Greek; it is like going into a garden of lilies out of some, narrow and dark house.

And to me, the pleasure is doubled by the reflection that it is extremely probable that we have the actual terms, the IPSISSIMA VERBA, used by Christ. It was always supposed that Christ talked in Aramaic. Even Renan thought so. But now we know that the Galilean peasants, like the Irish peasants of our own day, were bilingual, and that Greek was the ordinary language of intercourse all over Palestine, as indeed all over the Eastern world. I never liked the idea that we knew of Christ's own words only through a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays of Travel by Robert Louis Stevenson:

a centre of beauty; we are provocative of beauty, much as a gentle and sincere character is provocative of sincerity and gentleness in others. And even where there is no harmony to be elicited by the quickest and most obedient of spirits, we may still embellish a place with some attraction of romance. We may learn to go far afield for associations, and handle them lightly when we have found them. Sometimes an old print comes to our aid; I have seen many a spot lit up at once with picturesque imaginations, by a reminiscence of Callot, or Sadeler, or Paul Brill. Dick Turpin has been my lay figure for many an English lane. And I suppose the Trossachs would hardly be the Trossachs for most tourists if a man of admirable

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lost Princess of Oz by L. Frank Baum:

but as we have always eaten your cookies and liked them--except when they are burned on the bottom--we do not long for any better ones."

Cayke might have agreed to this argument had she not been so anxious to find her precious dishpan, but now she exclaimed impatiently, "You are cowards, all of you! If none of you are willing to explore with me the great world beyond this small hill, I will surely go alone."

"That is a wise resolve," declared the Yips, much relieved. "It is your dishpan that is lost, not ours. And if you are willing to risk your life and liberty to regain it, no one can deny you the privilege."

While they were thus conversing, the Frogman joined them and looked


The Lost Princess of Oz