The first excerpt represents the past or something you must release, and is drawn from Frances Waldeaux by Rebecca Davis: "Why, George," she said, "she cannot speak. She is dead.
I did it."
She stood in the room a minute, looking from side to
side, and then went with measured steps out of it, down
the corridor and into the street.
"I did it," she said to herself again and again, as she
walked slowly on.
The old cathedral is opposite to the inn. Her eyes, as
she passed, rested on the gargoyles, and she thought how
fine they were. One was a ridiculous head with lolling
tongue.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Witch, et. al by Anton Chekhov: the cross while he stares at me and mutters, showing the whites
of his eyes; wasn't I frightened! We came alongside, I was afraid
to say a word to him -- the thunder was crashing, the sky was
streaked with lightning, the willows were bent right down to the
water -- all at once, my friends, God strike me dead that I die
impenitent, a hare ran across the path . . . it ran and stopped,
and said like a man: 'Good-evening, peasants.' Lie down, you
brute! " the old man cried to the shaggy dog, who was moving
round the horse again. "Plague take you!"
"It does happen," said the overseer, still leaning on the saddle
and not stirring; he said this in the hollow, toneless voice in
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The third excerpt represents the future or something you must embrace, and is drawn from A Collection of Beatrix Potter by Beatrix Potter: grass, his line was a fine long
white horse-hair, and he tied
a little wriggling worm at the
end.
THE rain trickled down his
back, and for nearly an
hour he stared at the float.
"This is getting tiresome,
I think I should like some
lunch," said Mr. Jeremy
Fisher.
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