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Today's Stichomancy for Charlie Chaplin

The first excerpt represents the past or something you must release, and is drawn from My Antonia by Willa Cather:

They talked, to be sure; but not like they would if she'd put on airs. She was so crushed and quiet that nobody seemed to want to humble her. She never went anywhere. All that summer she never once came to see me. At first I was hurt, but I got to feel that it was because this house reminded her of too much. I went over there when I could, but the times when she was in from the fields were the times when I was busiest here. She talked about the grain and the weather as if she'd never had another interest, and if I went over at night she always looked dead weary. She was afflicted with toothache; one tooth after another ulcerated, and she went about with her face swollen half the time. She wouldn't go to Black Hawk to a dentist for fear of meeting people she knew.


My Antonia
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dreams & Dust by Don Marquis:

Who mints his soul to laughter's coin And wastes it with his lips-- Has grown too sad for sighs and seeks To cheat himself with mirth; We fools self-doomed to motley are The weariest wights on earth!

But yet, for us whose brains and hearts Strove aye in paths perverse, Doomed still to know the better things And still to do the worse,-- What else is there remains for us

The third excerpt represents the future or something you must embrace, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

drag all her anchors. But she now dragged away from the great building and its lights,--away from the voluptuous thunder of the grand piano, even at that moment outpouring the great joy of Weber's melody orchestrated by Berlioz: l'Invitation a la Valse,--with its marvellous musical swing!

--"Waltzing!" cried the captain. "God help them!--God help us all now! ... The Wind waltzes to-night, with the Sea for his partner!" ...

O the stupendous Valse-Tourbillon! O the mighty Dancer! One--two--three! From northeast to east, from east to southeast, from southeast to south: then from the south he came, whirling