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Today's Stichomancy for Charlton Heston

The first excerpt represents the past or something you must release, and is drawn from Bunner Sisters by Edith Wharton:

boards. Through this they disappeared, watched curiously in their descent by the grinning Linda, while Mrs. Hochmuller and Ann Eliza were left alone in the summer-house.

Mrs. Hochmuller looked at her guest with a confidential smile. "I guess dey'll be gone quite a while," she remarked, jerking her double chin toward the gap in the fence. "Folks like dat don't never remember about de dime." And she drew out her knitting.

Ann Eliza could think of nothing to say.

"Your sister she thinks a great lot of him, don't she?" her hostess continued.

Ann Eliza's cheeks grew hot. "Ain't you a teeny bit lonesome

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A treatise on Good Works by Dr. Martin Luther:

contrary to God's commands. On the other hand, the husband should love his wife, overlook a little, and not deal strictly with her, of which matter St. Peter and St. Paul have said much. But this has its place in the further explanation of the Ten Commandments, and is easily inferred from these passages.

XX. But all that has been said of these works is included in these two, obedience and considerateness. Obedience is the duty of subjects, considerateness that of masters, that they take care to rule their subjects well, deal kindly with them, and do everything whereby they may benefit and help them. That is their way to heaven, and these are the best works they can do on earth;

The third excerpt represents the future or something you must embrace, and is drawn from Crito by Plato:

the Athenians of his day, but to posterity and the world at large.

Whether such an incident ever really occurred as the visit of Crito and the proposal of escape is uncertain: Plato could easily have invented far more than that (Phaedr.); and in the selection of Crito, the aged friend, as the fittest person to make the proposal to Socrates, we seem to recognize the hand of the artist. Whether any one who has been subjected by the laws of his country to an unjust judgment is right in attempting to escape, is a thesis about which casuists might disagree. Shelley (Prose Works) is of opinion that Socrates 'did well to die,' but not for the 'sophistical' reasons which Plato has put into his mouth. And there would be no difficulty in arguing that Socrates should have lived and preferred to a