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Today's Stichomancy for Charlton Heston

The first excerpt represents the past or something you must release, and is drawn from Rinkitink In Oz by L. Frank Baum:

use it against us. I believe, Inga, we must now depend upon our wits to get us out of the scrape we are in.

With saddened hearts they returned to the palace, and entering a small room where no one could observe them or overhear them, the boy took the White Pearl from its silken bag and held it to his ear, asking:

"What shall I do now?"

"Tell no one of your loss," answered the Voice of the Pearl. "If your enemies do not know that you are powerless, they will fear you as much as ever. Keep your secret, be patient, and fear not!"


Rinkitink In Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Animal Farm by George Orwell:

and it would also be necessary to begin saving up again for the machinery for the windmill. Then there were lamp oil and candles for the house, sugar for Napoleon's own table (he forbade this to the other pigs, on the ground that it made them fat), and all the usual replacements such as tools, nails, string, coal, wire, scrap-iron, and dog biscuits. A stump of hay and part of the potato crop were sold off, and the contract for eggs was increased to six hundred a week, so that that year the hens barely hatched enough chicks to keep their numbers at the same level. Rations, reduced in December, were reduced again in February, and lanterns in the stalls were forbidden to save oil. But the pigs seemed comfortable enough, and in fact were putting on weight if anything. One afternoon in late


Animal Farm
The third excerpt represents the future or something you must embrace, and is drawn from A Simple Soul by Gustave Flaubert:

been lent for the occasion on the condition that they should be careful of it.

The road was so bad that it took two hours to cover the eight miles. The two horses sank knee-deep into the mud and stumbled into ditches; sometimes they had to jump over them. In certain places, Liebard's mare stopped abruptly. He waited patiently till she started again, and talked of the people whose estates bordered the road, adding his own moral reflections to the outline of their histories. Thus, when they were passing through Toucques, and came to some windows draped with nasturtiums, he shrugged his shoulders and said: "There's a woman, Madame Lehoussais, who, instead of taking a young man--" Felicite


A Simple Soul