The first excerpt represents the past or something you must release, and is drawn from Burning Daylight by Jack London: "Yes, just that. Not only will you bull Ward Valley, but you
will at the same time gather Ward Valley in. This will be of
inestimable advantage to us, while you and all of us will profit
by it as well. And as Mr. Letton has pointed out, the thing is
legitimate and square. On the eighteenth the directors meet,
and, instead of the customary dividend, a double dividend will be
declared."
"And where will the shorts be then?" Leon Guggenhammer cried
excitedly.
"The shorts will be the speculators," Nathaniel Letton explained,
"the gamblers, the froth of Wall Street--you understand. The
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tom Sawyer Abroad by Mark Twain: We set there a-looking and a-thinking for a half an
hour, nobody a-saying anything, for it made us feel
quiet and kind of solemn to remember it had been
looking over that valley just that same way, and think-
ing its awful thoughts all to itself for thousands of
years. and nobody can't find out what they are to this
day.
At last I took up the glass and see some little black
things a-capering around on that velvet carpet, and
some more a-climbing up the cretur's back, and then I
see two or three wee puffs of white smoke, and told
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The third excerpt represents the future or something you must embrace, and is drawn from Gambara by Honore de Balzac: the people of Mecca that her husband's attacks of epilepsy are the
effect of his intercourse with the angels (chorus of the first
followers of Mahomet, who come to promise him their aid, C sharp
minor, /sotto voce/). Mahomet goes off to seek the Angel Gabriel
(/recitative/ in F major). His wife encourages the disciples (/aria/,
interrupted by the chorus, gusts of chanting support Kadijah's broad
and majestic air, A major).
"Abdallah, the father of Ayesha,--the only maiden Mahomet has found
really innocent, wherefore he changed the name of Abdallah to Abubekir
(the father of the virgin),--comes forward with Ayesha and sings
against the chorus, in strains which rise above the other voices and
 Gambara |