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Today's Stichomancy for Charlton Heston

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

himself vanquished; his countenance, cold, silent, entirely English, revealed the consciousness of his dignity in a momentary resignation. Moreover, he had already thought, in spite of the vehemence of his anger, that it was scarcely prudent to compromise himself with the law by killing this girl on the spur of the moment, before he had arranged the murder in such a manner as should insure his impunity.

"My beloved," went on Paquita, "speak to me; do not leave me without one loving farewell! I would not keep in my heart the terror which you have just inspired in it. . . . Will you speak?" she said, stamping her foot with anger.

De Marsay, for all reply, gave her a glance, which signified so


The Girl with the Golden Eyes
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mansion by Henry van Dyke:

divine simplicity. The mansions differed in size, in shape, in charm: each one seemed to have its own personal look of loveliness; yet all were alike in fitness to their place, in harmony with one another, in the addition which each made to the singular and tranquil splendor of the city.

As the little company came, one by one, to the mansions which were prepared for them, and their Guide beckoned to the happy

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Message by Honore de Balzac:

me into the garden. The Count, for the sake of appearances, came as far as the threshold.

"Don't go, don't go!" called he. "Don't trouble yourselves in the least," but he did not offer to accompany us.

We three--the canon, the housemaid, and I--hurried through the garden walks and over the bowling-green in the park, shouting, listening for an answer, growing more uneasy every moment. As we hurried along, I told the story of the fatal accident, and discovered how strongly the maid was attached to her mistress, for she took my secret dread far more seriously than the canon. We went along by the pools of water; all over the park we went;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Call of the Wild by Jack London:

out huskies pulled weakly, Hal decided that the orthodox ration was too small. He doubled it. And to cap it all, when Mercedes, with tears in her pretty eyes and a quaver in her throat, could not cajole him into giving the dogs still more, she stole from the fish-sacks and fed them slyly. But it was not food that Buck and the huskies needed, but rest. And though they were making poor time, the heavy load they dragged sapped their strength severely.

Then came the underfeeding. Hal awoke one day to the fact that his dog-food was half gone and the distance only quarter covered; further, that for love or money no additional dog-food was to be obtained. So he cut down even the orthodox ration and tried to