| The first excerpt represents the past or something you must release, and is drawn from An Ideal Husband by Oscar Wilde: sin against itself, Love should forgive. All lives, save loveless
lives, true Love should pardon. A man's love is like that. It is
wider, larger, more human than a woman's. Women think that they are
making ideals of men. What they are making of us are false idols
merely. You made your false idol of me, and I had not the courage to
come down, show you my wounds, tell you my weaknesses. I was afraid
that I might lose your love, as I have lost it now. And so, last
night you ruined my life for me - yes, ruined it! What this woman
asked of me was nothing compared to what she offered to me. She
offered security, peace, stability. The sin of my youth, that I had
thought was buried, rose up in front of me, hideous, horrible, with
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Duchess of Padua by Oscar Wilde: Ay! with that purport I confess, my lord.
This much I will acknowledge, and this also,
That as with stealthy feet I climbed the stair
Which led unto the chamber of the Duke,
And reached my hand out for the scarlet cloth
Which shook and shivered in the gusty door,
Lo! the white moon that sailed in the great heaven
Flooded with silver light the darkened room,
Night lit her candles for me, and I saw
The man I hated, cursing in his sleep;
And thinking of a most dear father murdered,
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The third excerpt represents the future or something you must embrace, and is drawn from Prufrock/Other Observations by T. S. Eliot: She then: "How you digress!"
And I then: "Some one frames upon the keys
That exquisite nocturne, with which we explain
The night and moonshine; music which we seize
To body forth our own vacuity."
She then: "Does this refer to me?"
"Oh no, it is I who am inane."
"You, madam, are the eternal humorist
The eternal enemy of the absolute,
Giving our vagrant moods the slightest twist
With your air indifferent and imperious
Prufrock/Other Observations |
