| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Vicar of Tours by Honore de Balzac: Caron here they mean to let you know indirectly that if you consent to
leave the house you shall be made canon,--one good turn deserves
another."
Every one present applauded Madame de Listomere's sagacity, except her
nephew the Baron de Listomere, who remarked in a comic tone to
Monsieur de Bourbonne, "I would like to have seen a fight between the
Gamard and the Birotteau."
But, unhappily for the vicar, forces were not equal between these
persons of the best society and the old maid supported by the Abbe
Troubert. The time soon came when the struggle developed openly, went
on increasing, and finally assumed immense proportions. By the advice
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Resurrection by Leo Tolstoy: that he left the inn later than usual, and did not catch up with
the gang on the road as he had done previously, but came to the
village where the next halting station was as it was growing
dusk.
Having dried himself at the inn, which was kept by an elderly
woman who had an extraordinarily fat, white neck, he had his tea
in a clean room decorated with a great number of icons and
pictures and then hurried away to the halting station to ask the
officer for an interview with Katusha. At the last six halting
stations he could not get the permission for an interview from
any of the officers. Though they had been changed several times,
 Resurrection |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Purse by Honore de Balzac: compared to those of a stone flung into a deep lake. The most
delightful waves of thought rise and follow each other,
indescribable, repeated, and aimless, tossing the heart like the
circular ripples, which for a long time fret the waters, starting
from the point where the stone fell.
Hippolyte returned to the studio bearing the portrait. His easel
was ready with a fresh canvas, and his palette set, his brushes
cleaned, the spot and the light carefully chosen. And till the
dinner hour he worked at the painting with the ardor artists
throw into their whims. He went again that evening to the Baronne
de Rouville's, and remained from nine till eleven. Excepting the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Jude the Obscure by Thomas Hardy: 'twas my fanciful fastidiousness, or something of that sort,
and condemn me.... It is none of the natural tragedies of love that's
love's usual tragedy in civilized life, but a tragedy artificially
manufactured for people who in a natural state would find relief
in parting! ... It would have been wrong, perhaps, for me to tell
my distress to you, if I had been able to tell it to anybody else.
But I have nobody. And I MUST tell somebody! Jude, before I
married him I had never thought out fully what marriage meant,
even though I knew. It was idiotic of me--there is no excuse.
I was old enough, and I thought I was very experienced.
So I rushed on, when I had got into that training school scrape,
 Jude the Obscure |