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Today's Stichomancy for Chris Rock

The first excerpt represents the past or something you must release, and is drawn from Proposed Roads To Freedom by Bertrand Russell:

or small. We may leave out of our discussion both individual genius and those intangible conditions which make some ages great and others sterile in art and science--not because these are unimportant, but because they are too little understood to be taken account of in economic or political organization. The three conditions we have mentioned seem to cover most of what can be SEEN to be useful or harmful from our present point of view, and it is therefore to them that we shall confine ourselves.

1. Technical Training.--Technical training at

The second excerpt represents the present or the deciding factor of the moment, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

horses and trunks taken care of.

MARLOW. (Aside.) He has got our names from the servants already. (To him.) We approve your caution and hospitality, sir. (To HASTINGS.) I have been thinking, George, of changing our travelling dresses in the morning. I am grown confoundedly ashamed of mine.

HARDCASTLE. I beg, Mr. Marlow, you'll use no ceremony in this house.

HASTINGS. I fancy, Charles, you're right: the first blow is half the battle. I intend opening the campaign with the white and gold.

HARDCASTLE. Mr. Marlow--Mr. Hastings--gentlemen--pray be under no constraint in this house. This is Liberty-hall, gentlemen. You may do just as you please here.


She Stoops to Conquer
The third excerpt represents the future or something you must embrace, and is drawn from The Death of the Lion by Henry James:

themselves as mere ignoble thrift to his successor, whose own sincerity took the form of ringing door-bells and whose definition of genius was the art of finding people at home. It was as if Mr. Deedy had published reports without his young men's having, as Pinhorn would have said, really been there. I was unregenerate, as I have hinted, and couldn't be concerned to straighten out the journalistic morals of my chief, feeling them indeed to be an abyss over the edge of which it was better not to peer. Really to be there this time moreover was a vision that made the idea of writing something subtle about Neil Paraday only the more inspiring. I would be as considerate as even Mr. Deedy could have wished, and