Today's Stichomancy for Christian Bale
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herbert West: Reanimator by H. P. Lovecraft: House; where West, though shaken by the death of his chief opponent,
chilled the rest of us with references to his notorious theories.
Most of the students went home, or to various duties, as the evening
advanced; but West persuaded me to aid him in "making a night
of it." West’s landlady saw us arrive at his room about two in
the morning, with a third man between us; and told her husband
that we had all evidently dined and wined rather well.
Apparently
this acidulous matron was right; for about 3 a.m. the whole house
was aroused by cries coming from West’s room, where when they
broke down the door, they found the two of us unconscious on the
 Herbert West: Reanimator |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde: him the paper Count Rouvaloff had given him. When the man saw it
he bowed, and invited Lord Arthur into a very shabby front parlour
on the ground floor, and in a few moments Herr Winckelkopf, as he
was called in England, bustled into the room, with a very wine-
stained napkin round his neck, and a fork in his left hand.
'Count Rouvaloff has given me an introduction to you,' said Lord
Arthur, bowing, 'and I am anxious to have a short interview with
you on a matter of business. My name is Smith, Mr. Robert Smith,
and I want you to supply me with an explosive clock.'
'Charmed to meet you, Lord Arthur,' said the genial little German,
laughing. 'Don't look so alarmed, it is my duty to know everybody,
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Christ in Flanders by Honore de Balzac: became confused, and I stood upon the borderland between illusion and
reality, taken in the snare set for the eyes, and almost light-headed
by reason of the multitudinous changes of the shapes about me.
Imperceptibly a mist gathered about the carven stonework, and I only
beheld it through a haze of fine golden dust, like the motes that
hover in the bars of sunlight slanting through the air of a chamber.
Suddenly the stone lacework of the rose windows gleamed through this
vapor that had made all forms so shadowy. Every moulding, the edges of
every carving, the least detail of the sculpture was dipped in silver.
The sunlight kindled fires in the stained windows, their rich colors
sent out glowing sparks of light. The shafts began to tremble, the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Firm of Nucingen by Honore de Balzac: "Tut, tut, tut!" said Bixiou, "do not think of comparing Nucingen with
a little dabbler like du Tillet, a jackal that gets on in life through
his sense of smell. He scents a carcass by instinct, and comes in time
to get the best bone. Besides, just look at the two men. The one has a
sharp-pointed face like a cat, he is thin and lanky; the other is
cubical, fat, heavy as a sack, imperturbable as a diplomatist.
Nucingen has a thick, heavy hand, and lynx eyes that never light up;
his depths are not in front, but behind; he is inscrutable, you never
see what he is making for. Whereas du Tillet's cunning, as Napoleon
said to somebody (I have forgotten the name), is like cotton spun too
fine, it breaks."
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