Today's Stichomancy for Christina Aguilera

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Riders of the Purple Sage by Zane Grey:

meeting, an unreasoning tendency toward a closer intimacy, then Jane Withersteen believed she had been subject to a queer fancy. She imagined any child would have feared Lassiter. And Fay Larkin had been a lonely, a solitary elf of the sage, not at all an ordinary child, and exquisitely shy with strangers. She watched Lassiter with great, round, grave eyes, but showed no fear. The rider gave Jane a favorable report of cattle and horses; and as he took the seat to which she invited him, little Fay edged as much as half an inch nearer. Jane replied to his look of inquiry and told Fay's story. The rider's gray, earnest gaze troubled her. Then he turned to Fay and smiled in a way that made Jane

Riders of the Purple Sage

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Journal of the Plague Year by Daniel Defoe:

them, particularly one in a court in Throgmorton Street whose house looked into Draper's Garden.

But I come back to the case of families infected and shut up by the magistrates. The misery of those families is not to be expressed; and it was generally in such houses that we heard the most dismal shrieks and outcries of the poor people, terrified and even frighted to death by the sight of the condition of their dearest relations, and by the terror of being imprisoned as they were.

I remember, and while I am writing this story I think I hear the very sound of it, a certain lady had an only daughter, a young maiden about nineteen years old, and who was possessed of a very considerable

A Journal of the Plague Year

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Episode Under the Terror by Honore de Balzac:

watched----"

"What is it now?" asked another elderly woman, sitting by the fire.

"The man that has been prowling about the house yesterday and to-day, followed me to-night----"

At those words all three dwellers in the wretched den looked in each other's faces and did not try to dissimulate the profound dread that they felt. The old priest was the least overcome, probably because he ran the greatest danger. If a brave man is weighed down by great calamities or the yoke of persecution, he begins, as it were, by making the sacrifice of himself; and thereafter every day of his life becomes one more victory snatched from fate. But from the way in which

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Road to Oz by L. Frank Baum:

"Next day they found a wooden Saw-Horse standing by the roadside, and sprinkled it with the Powder. It came to life at once, and Jack Pumpkinhead rode the Saw-Horse to the Emerald City."

"What became of the Saw-Horse, afterward?" asked the shaggy man, much interested in this story.

"Oh, it's alive yet, and you will probably meet it presently in the Emerald City. Afterward, Ozma used the last of the Powder to bring the Flying Gump to life; but as soon as it had carried her away from her enemies the Gump was taken apart, so it doesn't exist any more."

"It's too bad the Powder of Life was all used up," remarked the shaggy man; "it would be a handy thing to have around."

The Road to Oz