| The first excerpt represents the past or something you must release, and is drawn from United States Declaration of Independence: He has called together legislative bodies at places unusual,
uncomfortable, and distant from the depository of their
Public Records, for the sole purpose of fatiguing them
into compliance with his measures.
He has dissolved Representative Houses repeatedly, for opposing
with manly firmness his invasions on the rights of the people.
He has refused for a long time, after such dissolutions,
to cause others to be elected; whereby the Legislative Powers,
incapable of Annihilation, have returned to the People at large
for their exercise; the State remaining in the mean time exposed
to all the dangers of invasion from without, and convulsions within.
 United States Declaration of Independence |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Garden Party by Katherine Mansfield: strode down the centre aisle, mounted the steps, turned sharply, seized the
brass music stand, planted it in front of her, and gave two sharp taps with
her baton for silence.
"Silence, please! Immediately!" and, looking at nobody, her glance swept
over that sea of coloured flannel blouses, with bobbing pink faces and
hands, quivering butterfly hair-bows, and music-books outspread. She knew
perfectly well what they were thinking. "Meady is in a wax." Well, let
them think it! Her eyelids quivered; she tossed her head, defying them.
What could the thoughts of those creatures matter to some one who stood
there bleeding to death, pierced to the heart, to the heart, by such a
letter--
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The third excerpt represents the future or something you must embrace, and is drawn from The Jolly Corner by Henry James: Miss Staverton's gaze again lost itself, and things she didn't
utter, it was clear, came and went in her mind. She might even for
the minute, off there in the fine room, have imagined some element
dimly gathering. Simplified like the death-mask of a handsome
face, it perhaps produced for her just then an effect akin to the
stir of an expression in the "set" commemorative plaster. Yet
whatever her impression may have been she produced instead a vague
platitude. "Well, if it were only furnished and lived in - !"
She appeared to imply that in case of its being still furnished he
might have been a little less opposed to the idea of a return. But
she passed straight into the vestibule, as if to leave her words
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