| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Protagoras by Plato: names of the same thing? Protagoras replies that they are parts, like the
parts of a face, which have their several functions, and no one part is
like any other part. This admission, which has been somewhat hastily made,
is now taken up and cross-examined by Socrates:--
'Is justice just, and is holiness holy? And are justice and holiness
opposed to one another?'--'Then justice is unholy.' Protagoras would
rather say that justice is different from holiness, and yet in a certain
point of view nearly the same. He does not, however, escape in this way
from the cunning of Socrates, who inveigles him into an admission that
everything has but one opposite. Folly, for example, is opposed to wisdom;
and folly is also opposed to temperance; and therefore temperance and
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Les Miserables by Victor Hugo: sees black, the heart sees trouble. In an eclipse in the night,
in the sooty opacity, there is anxiety even for the stoutest of hearts.
No one walks alone in the forest at night without trembling.
Shadows and trees--two formidable densities. A chimerical
reality appears in the indistinct depths. The inconceivable is
outlined a few paces distant from you with a spectral clearness.
One beholds floating, either in space or in one's own brain,
one knows not what vague and intangible thing, like the dreams
of sleeping flowers. There are fierce attitudes on the horizon.
One inhales the effluvia of the great black void. One is afraid to
glance behind him, yet desirous of doing so. The cavities of night,
 Les Miserables |