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Today's Stichomancy for Chuck Norris

The first excerpt represents the past or something you must release, and is drawn from Gambara by Honore de Balzac:

her extravagant luxury, for they were so devotedly adoring, that in all his life, Giardini could recall no instance of such a passion.

Towards the end of that very January, one evening when Giardini was chatting with a girl who had come to buy her supper, about the divine Marianna--so poor, so beautiful, so heroically devoted, and who had, nevertheless, "gone the way of them all," the cook, his wife, and the street-girl saw coming towards them a woman fearfully thin, with a sunburned, dusty face; a nervous walking skeleton, looking at the numbers, and trying to recognize a house.

"/Ecco la Marianna/!" exclaimed the cook.

Marianna recognized Giardini, the erewhile cook, in the poor fellow


Gambara
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Madame Firmiani by Honore de Balzac:

smiles and glances fascinate. If this condition, which comes from the soul, can give attraction even to a plain woman, with what radiance does it not invest a woman of natural elegance, distinguished bearing, fair, fresh, with sparkling eyes, and dressed in a taste that wrings approval from artists and her bitterest rivals.

Have you ever, for your happiness, met a woman whose harmonious voice gives to her speech the same charm that emanates from her manners? a woman who knows how to speak and to be silent, whose words are happily chosen, whose language is pure, and who concerns herself in your interests with delicacy? Her raillery is caressing, her criticism never wounds; she neither discourses nor argues, but she likes to lead

The third excerpt represents the future or something you must embrace, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe:

and appurtenances of the room to one at some considerable distance. The under-servants, who were called on to effect this movement, were running and bustling about with great zeal and confusion, when Legree returned from a ride.

"Hallo! you Cass!" said Legree, "what's in the wind now?"

"Nothing; only I choose to have another room," said Cassy, doggedly.

"And what for, pray?" said Legree.

"I choose to," said Cassy.

"The devil you do! and what for?"

"I'd like to get some sleep, now and then."

"Sleep! well, what hinders your sleeping?"


Uncle Tom's Cabin