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Today's Stichomancy for Chuck Norris

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Human Drift by Jack London:

hearts of Napa and Lake Counties, travelled the coast for hundreds of miles on end, and are now in Eureka, on Humboldt Bay, which was discovered by accident by the gold-seekers, who were trying to find their way to and from the Trinity diggings. Even here, the white man's history preceded them, for dim tradition says that the Russians once anchored here and hunted sea-otter before the first Yankee trader rounded the Horn, or the first Rocky Mountain trapper thirsted across the "Great American Desert" and trickled down the snowy Sierras to the sun-kissed land. No; we are not resting our horses here on Humboldt Bay. We are writing this article, gorging on abalones and mussels, digging clams, and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Intentions by Oscar Wilde:

of cats, and with Gautier, he was fascinated by that 'sweet marble monster' of both sexes that we can still see at Florence and in the Louvre.

There is of course much in his descriptions, and his suggestions for decoration, that shows that he did not entirely free himself from the false taste of his time. But it is clear that he was one of the first to recognise what is, indeed, the very keynote of aesthetic eclecticism, I mean the true harmony of all really beautiful things irrespective of age or place, of school or manner. He saw that in decorating a room, which is to be, not a room for show, but a room to live in, we should never aim at any

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Touchstone by Edith Wharton:

perceptions; but there was certainly no more definite charge against him than that implied in the doubt as to how he would behave in an emergency, and his company was looked upon as one of those mildly unwholesome dissipations to which the prudent may occasionally yield. It now offered itself to Glennard as an easy escape from the obsession of moral problems, which somehow could no more be worn in Flamel's presence than a surplice in the street.

"Where are you going? To the club?" Flamel asked; adding, as the younger man assented, "Why not come to my studio instead? You'll see one bore instead of twenty."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Night and Day by Virginia Woolf:

Naturally," he added, "one would expect that to be so." He waited for Henry to confirm this statement, but Henry remained silent.

"Katharine has had a difficult life, in some ways," he continued. "I expect that marriage will be good for her. She has great powers."

"Great," said Henry, with decision.

"Yes--but now what direction d'you think they take?"

Rodney had completely dropped his pose as a man of the world, and seemed to be asking Henry to help him in a difficulty.

"I don't know," Henry hesitated cautiously.

"D'you think children--a household--that sort of thing--d'you think that'll satisfy her? Mind, I'm out all day."