Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Chuck Norris

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

finds that the beloved angels spoke with the fathers and the prophets, but that none of them had ever been asked to intercede for them. Why even Jacob the patriarch did not ask the angel with whom he wrestled for any intercession. Instead, he only took from him a blessing. In fact, on finds the very opposite in revelation as the angel will not allow itself to be worshipped by John. [Rev. 22] So the worship of saints shows itself as nothing but human nonsense, our own invention separated from the word of God and the Scriptures.

As it is not proper in the matter of divine worship for us to do anything that is not commanded by God (and that whoever does is

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hidden Masterpiece by Honore de Balzac:

with this strange and whimsical being?

Filled with such thoughts, Porbus said to the old man, "Is it not woman for woman? Poussin lends his mistress to your eyes."

"What sort of mistress is that?" cried Frenhofer. "She will betray him sooner or later. Mine will be to me forever faithful."

"Well," returned Porbus, "then let us say no more. But before you find, even in Asia, a woman as beautiful, as perfect, as the one I speak of, you may be dead, and your picture forever unfinished."

"Oh, it is finished!" said Frenhofer. "Whoever sees it will find a woman lying on a velvet bed, beneath curtains; perfumes are exhaling from a golden tripod by her side: he will be tempted to take the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Republic by Plato:

precarious existence. Milton in his day doubted whether an epic poem was any longer possible. At the same time we must remember, that what Plato would have called the charms of poetry have been partly transferred to prose; he himself (Statesman) admits rhetoric to be the handmaiden of Politics, and proposes to find in the strain of law (Laws) a substitute for the old poets. Among ourselves the creative power seems often to be growing weaker, and scientific fact to be more engrossing and overpowering to the mind than formerly. The illusion of the feelings commonly called love, has hitherto been the inspiring influence of modern poetry and romance, and has exercised a humanizing if not a strengthening influence on the world. But may not the stimulus which love has given to fancy be some


The Republic
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

now the shades of evening are falling on the town. The pale light of the street lamps changes to a vivid color, and the bustle of the street grows noisier.

"Sledge to Vyborgskaya!" Iona hears. "Sledge!"

Iona starts, and through his snow-plastered eyelashes sees an officer in a military overcoat with a hood over his head.

"To Vyborgskaya," repeats the officer. "Are you asleep? To Vyborgskaya!"

In token of assent Iona gives a tug at the reins which sends cakes of snow flying from the horse's back and shoulders. The officer gets into the sledge. The sledge-driver clicks to the


The Schoolmistress and Other Stories