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Today's Stichomancy for Chuck Yeager

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Rinkitink In Oz by L. Frank Baum:

upon the shore, nor was there a single person, man or woman or child, remaining upon the island, save themselves. The only inhabitants of Pingaree now consisted of a fat little King, a boy and a goat.

Even Rinkitink, merry hearted as he was, found it hard to laugh in the face of this mighty disaster. Even the goat, contrary to its usual habit, refrained from saying anything disagreeable. As for the poor boy whose home was now a wilderness, the tears came often to his eyes as he marked the ruin of his dearly loved island.

When, at nightfall, they reached the lower end of


Rinkitink In Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Damaged Goods by Upton Sinclair:

diseases. There was really but one rule. It was: To love but one woman, to take her as a virgin, and to love her so much that she would never deceive you. "Take that from me," added the doctor, "and teach it to your son, when you have one."

George's attention was caught by this last sentence.

"You mean that I shall be able to have children?" he cried.

"Certainly," was the reply.

"Healthy children?"

"I repeat it to you; if you take care of yourself properly for a long time, conscientiously, you have little to fear."

"That's certain?"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In Darkest England and The Way Out by General William Booth:

heedless of danger as the peasant who makes his house and plants green vineyards and olives above Vesuvian fires. We are almost as careless and quite as unknowing as we pass the bridge in the late afternoon. Our immediate destination is the Salvation Army Barracks in Washington Street, and we are going finally to the Salvation Officers--two young women--who have been dwelling and doing a noble mission work for months in one of the worst corners of New York's most wretched quarter. These Officers are not living under the aegis of the Army, however. The blue bordered flag is furled out of sight, the uniforms and poke bonnets are laid away, and there are no drums or tambourines. "The banner over them is love" of their fellow-creatures among whom


In Darkest England and The Way Out
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moon-Face and Other Stories by Jack London:

He filled a pan and carried it down the hill to wash. It contained no trace of gold. He dug deep, and he dug shallow, filling and washing a dozen pans, and was unrewarded even by the tiniest golden speck. He was enraged at having yielded to the temptation, and cursed himself blasphemously and pridelessly. Then he went down the hill and took up the cross-cutting.

"Slow an' certain, Bill; slow an' certain," he crooned. "Short-cuts to fortune ain't in your line, an' it's about time you know it. Get wise, Bill; get wise. Slow an' certain's the only hand you can play; so go to it, an' keep to it, too."

As the cross-cuts decreased, showing that the sides of the "V" were converging, the depth of the " V " increased. The gold-trace was dipping into