| The first excerpt represents the past or something you must release, and is drawn from Macbeth by William Shakespeare: I am as I haue spoken
Mac. Fit to gouern? No not to liue. O Natio[n] miserable!
With an vntitled Tyrant, bloody Sceptred,
When shalt thou see thy wholsome dayes againe?
Since that the truest Issue of thy Throne
By his owne Interdiction stands accust,
And do's blaspheme his breed? Thy Royall Father
Was a most Sainted-King: the Queene that bore thee,
Oftner vpon her knees, then on her feet,
Dy'de euery day she liu'd. Fare thee well,
These Euils thou repeat'st vpon thy selfe,
 Macbeth |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Ruling Passion by Henry van Dyke: quieter tunes--ballads and songs that he knew Serena liked. After
supper came the final reel; and when that was wound up, with immense
hilarity, the company ran out to the side door of the tavern to
shout a noisy farewell to the bridal buggy, as it drove down the
road toward the house with the white palings. When they came back,
the fiddler was gone. He had slipped away to the little cabin with
the curved roof.
All night long he sat there playing in the dark. Every tune that he
had ever known came back to him--grave and merry, light and sad. He
played them over and over again, passing round and round among them
as a leaf on a stream follows the eddies, now backward, now forward,
|
The third excerpt represents the future or something you must embrace, and is drawn from The Circular Staircase by Mary Roberts Rinehart: his. It was always "we" with Thomas; I miss him sorely; pipe-
smoking, obsequious, not over reliable, kindly old man!
On Thursday Mr. Harton, the Armstrongs' legal adviser, called up
from town. He had been advised, he said, that Mrs. Armstrong was
coming east with her husband's body and would arrive Monday. He
came with some hesitation, he went on, to the fact that he had
been further instructed to ask me to relinquish my lease on
Sunnyside, as it was Mrs. Armstrong's desire to come directly
there.
I was aghast.
"Here!" I said. "Surely you are mistaken, Mr. Harton. I should
 The Circular Staircase |