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Today's Stichomancy for Chuck Yeager

The first excerpt represents the past or something you must release, and is drawn from Enoch Arden, &c. by Alfred Tennyson:

But all my children have gone before me, I am so old: I cannot weep for Willy, nor can I weep for the rest; Only at your age, Annie, I could have wept with the best.

VI. For I remember a quarrel I had with your father, my dear, All for a slanderous story, that cost me many a tear.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Tanach:

Genesis 24: 28 And the damsel ran, and told her mother's house according to these words.

Genesis 24: 29 And Rebekah had a brother, and his name was Laban; and Laban ran out unto the man, unto the fountain.

Genesis 24: 30 And it came to pass, when he saw the ring, and the bracelets upon his sister's hands, and when he heard the words of Rebekah his sister, saying: 'Thus spoke the man unto me,' that he came unto the man; and, behold, he stood by the camels at the fountain.

Genesis 24: 31 And he said: 'Come in, thou blessed of the LORD; wherefore standest thou without? for I have cleared the house, and made room for the camels.'

Genesis 24: 32 And the man came into the house, and he ungirded the camels; and he gave straw and provender for the camels, and water to wash his feet and the feet of the men that were with him.

Genesis 24: 33 And there was set food before him to eat; but he said: 'I will not eat, until I have told mine errand.' And he said: 'Speak on.'

Genesis 24: 34 And he said: 'I am Abraham's servant.

Genesis 24: 35 And the LORD hath blessed my master greatly; and he is become great; and He hath given him flocks and herds, and silver and gold, and men-servants and maid-servants, and camels and asses.

Genesis 24: 36 And Sarah my master's wife bore a son to my master when she was old; and unto him hath he given all that he hath.


The Tanach
The third excerpt represents the future or something you must embrace, and is drawn from The Red Inn by Honore de Balzac:

room of the inn. Thick white clouds exhaled by a numerous company of smokers prevented them from at first recognizing the persons with whom they were thrown; but after sitting awhile near the table, with the patience practised by philosophical travellers who know the inutility of making a fuss, they distinguished through the vapors of tobacco the inevitable accessories of a German inn: the stove, the clock, the pots of beer, the long pipes, and here and there the eccentric physiognomies of Jews, or Germans, and the weather-beaten faces of mariners. The epaulets of several French officers were glittering through the mist, and the clank of spurs and sabres echoed incessantly from the brick floor. Some were playing cards, others argued, or held