| The first excerpt represents the past or something you must release, and is drawn from The Duchess of Padua by Oscar Wilde: DUCHESS
Better for me I had not seen your face.
[GUIDO recoils: she seizes his hands as she kneels.]
Nay, Guido, listen for a while:
Until you came to Padua I lived
Wretched indeed, but with no murderous thought,
Very submissive to a cruel Lord,
Very obedient to unjust commands,
As pure I think as any gentle girl
Who now would turn in horror from my hands -
[Stands up.]
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ballads by Robert Louis Stevenson: Of the buried had long ago returned to the covered grave;
And here on the sea, the woman, waxing suddenly brave,
Turned her swiftly about and looked in the face of the man.
And sure he was none that she knew, none of her country or clan:
A stranger, mother-naked, and marred with the marks of fire,
But comely and great of stature, a man to obey and admire.
And Rahero regarded her also, fixed, with a frowning face,
Judging the woman's fitness to mother a warlike race.
Broad of shoulder, ample of girdle, long in the thigh,
Deep of bosom she was, and bravely supported his eye.
"Woman," said he, "last night the men of your folk -
Ballads |
The third excerpt represents the future or something you must embrace, and is drawn from The Mayflower Compact: Mr. John Carver Mr. Stephen Hopkins
Mr. William Bradford Digery Priest
Mr. Edward Winslow Thomas Williams
Mr. William Brewster Gilbert Winslow
Isaac Allerton Edmund Margesson
Miles Standish Peter Brown
John Alden Richard Bitteridge
John Turner George Soule
Francis Eaton Edward Tilly
James Chilton John Tilly
John Craxton Francis Cooke
|
