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Today's Stichomancy for Clint Eastwood

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

still much to do."

"What may that be?"

"We have no masks, and it is absolutely necessary to procure them."

"Do not concern yourself about that; we have, I think, a private room in the Piazza del Popolo; I will have whatever costumes you choose brought to us, and you can dress there."

"After the execution?" cried Franz.

"Before or after, whichever you please."

"Opposite the scaffold?"

"The scaffold forms part of the fete."


The Count of Monte Cristo
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Vision Splendid by William MacLeod Raine:

machines poured out money like water to elect a ticket that would be friendly to capital. An eight-hour-day bill to apply to miners and underground workers had been passed by the last legislature and a supreme court must be elected to declare this law unconstitutional. Moreover, a United States senator was to be chosen, so that the personnel of the assembly was a matter of great importance.

Through the subsidized columns of the _Advocate_ and the _Herald_ all the venom of outraged public plunder was emptied on the heads of Jeff Farnum and Captain Chunn. They were rebels, blackmailers, and anarchists. Jeff's life was held up to public scorn as

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

encroachments of their children, but in the diminution of this advantage they will be likely to leave them, ignorant and helpless, to a guardian's mercy; or if that should not happen, they must at least go out of the world before they see those whom they love best either wise or great.

"From their children, if they have less to fear, they have less also to hope; and they lose without equivalent the joys of early love, and the convenience of uniting with manners pliant and minds susceptible of new impressions, which might wear away their dissimilitudes by long cohabitation, as soft bodies by continual attrition conform their surfaces to each other.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Lover's Complaint by William Shakespeare:

Against the thing he sought he would exclaim; When he most burned in heart-wish'd luxury, He preach'd pure maid and prais'd cold chastity.

'Thus merely with the garment of a Grace The naked and concealed fiend he cover'd, That the unexperienc'd gave the tempter place, Which, like a cherubin, above them hover'd. Who, young and simple, would not be so lover'd? Ay me! I fell, and yet do question make What I should do again for such a sake.

'O, that infected moisture of his eye,