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Today's Stichomancy for Clive Barker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The King of the Golden River by John Ruskin:

overcome his amazement, he ventured on a question of peculiar delicacy.

"Pray, sir," said Gluck, rather hesitatingly, "were you my mug?"

On which the little man turned sharp round, walked straight up to Gluck, and drew himself up to his full height. "I," said the little man, "am the King of the Golden River." Whereupon he turned about again and took two more turns, some six feet long, in order to allow time for the consternation which this announcement produced in his auditor to evaporate. After which he again walked up to Gluck and stood still, as if expecting some comment on his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from American Notes by Rudyard Kipling:

little scratching or the gift of a friend not quite so poor. In less favored countries one is apt to forget. Then I went to bed. And that was on a Saturday night.

Sunday brought me the queerest experiences of all--a revelation of barbarism complete. I found a place that was officially described as a church. It was a circus really, but that the worshippers did not know. There were flowers all about the building, which was fitted up with plush and stained oak and much luxury, including twisted brass candlesticks of severest Gothic design.

To these things and a congregation of savages entered suddenly a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Westward Ho! by Charles Kingsley:

again, and all was dismal as before, though it grew sultrier every moment; and now and then a distant mutter shook the air to westward. Nothing could be done to lessen the distance between the ships, for the Vengeance had had all her boats carried away but one, and that was much too small to tow her: and while the men went down again to finish dinner, Amyas worked on at his sword, looking up every now and then suddenly at the Spaniard, as if to satisfy himself that it was not a vision which had vanished.

About two Yeo came up to him.

"He is ours safely now, sir. The tide has been running to the eastward for this two hours."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beast in the Jungle by Henry James:

picture of a serene and exquisite but impenetrable sphinx, whose head, or indeed all whose person, might have been powdered with silver. She was a sphinx, yet with her white petals and green fronds she might have been a lily too--only an artificial lily, wonderfully imitated and constantly kept, without dust or stain, though not exempt from a slight droop and a complexity of faint creases, under some clear glass bell. The perfection of household care, of high polish and finish, always reigned in her rooms, but they now looked most as if everything had been wound up, tucked in, put away, so that she might sit with folded hands and with nothing more to do. She was "out of it," to Marcher's vision; her work was