The first excerpt represents the past or something you must release, and is drawn from The War in the Air by H. G. Wells: Other memories of Edna clustered round that impression. They led
Bert's mind step by step to an agreeable state that found
expression in "I'll marry 'ER if she don't look out." And then
in a flash it followed in his mind that if he sold the Butteridge
secret he could! Suppose after all he did get twenty thousand
pounds; such sums have been paid! With that he could buy house
and garden, buy new clothes beyond dreaming, buy a motor, travel,
have every delight of the civilised life as he knew it, for
himself and Edna. Of course, risks were involved. "I'll 'ave
old Butteridge on my track, I expect!"
He meditated upon that. He declined again to despondency. As
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Young Forester by Zane Grey: "Whar's my gun?" he yelled.
I had dropped it in the spring. He let the lasso sag, and I had to swim.
Then, seeing that my hands were empty, he began to swear and to drag me
round and round in the pool. When he had pulled me across he ran to the
other side and jerked me back. I was drawn through the water with a force
that I feared would tear me apart. Greaser chattered like a hideous monkey,
and ran to and fro in glee. Herky-Jerky soon had me sputtering, gasping,
choking. When he finally pulled me out of the hole I was all but drowned.
"You bow-legged beggar!" shouted Dick, "I'll fix you for that."
"Whar's my gun?" yelled Herky, as I fell to the ground.
"I lost--it," I panted.
The Young Forester |
The third excerpt represents the future or something you must embrace, and is drawn from Call of Cthulhu by H. P. Lovecraft: young man of neurotic and excited aspect had called upon Professor
Angell bearing the singular clay bas-relief, which was then exceedingly
damp and fresh. His card bore the name of Henry Anthony Wilcox,
and my uncle had recognized him as the youngest son of an excellent
family slightly known to him, who had latterly been studying sculpture
at the Rhode Island School of Design and living alone at the Fleur-de-Lys
Building near that institution. Wilcox was a precocious youth
of known genius but great eccentricity, and had from chidhood
excited attention through the strange stories and odd dreams he
was in the habit of relating. He called himself "psychically hypersensitive",
but the staid folk of the ancient commercial city dismissed him
Call of Cthulhu |