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Today's Stichomancy for Clyde Barrow

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from All's Well That Ends Well by William Shakespeare:

Wish chastely, and love dearly, that your Dian Was both herself and love; O, then, give pity To her whose state is such that cannot choose But lend and give where she is sure to lose; That seeks not to find that her search implies, But, riddle-like, lives sweetly where she dies!

COUNTESS. Had you not lately an intent,--speak truly,-- To go to Paris?

HELENA. Madam, I had.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Some Reminiscences by Joseph Conrad:

the case of the B. family, where it is the rule for men to go bald in a becoming manner, before thirty) and a thin, curved, dignified nose, a feature in strict accordance with the physical tradition of the B. family. But it is not by these fragmentary remains of perishable mortality that he lives in my memory. I knew, at a very early age, that my grand-uncle Nicholas B. was a Knight of the Legion of Honour and that he had also the Polish Cross for valour Virtuti Militari. The knowledge of these glorious facts inspired in me an admiring veneration; yet it is not that sentiment, strong as it was, which resumes for me the force and the significance of his personality. It is overborne


Some Reminiscences
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Adieu by Honore de Balzac:

crumbling window-casings were hollowed by rain, defaced by time; the balconies were broken, the terraces demolished. Some of the outside shutters hung from a single hinge. The rotten doors seemed quite unable to resist an assailant. Covered with shining tufts of mistletoe, the branches of the neglected fruit-trees gave no sign of fruit. Grass grew in the paths. Such ruin and desolation cast a weird poesy on the scene, filling the souls of the spectators with dreamy thoughts. A poet would have stood there long, plunged in a melancholy reverie, admiring this disorder so full of harmony, this destruction which was not without its grace. Suddenly, the brown tiles shone, the mosses glittered, fantastic shadows danced upon the meadows and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Montezuma's Daughter by H. Rider Haggard:

'I have buried him with the bones of his brethren and his forefathers,' she said, answering the question that my eyes asked. 'It seemed best that you should see him no more, lest your heart should break.'

'It is well,' I answered; 'but my heart is broken already.'

'Is the murderer dead?' she said presently in the very words of Diaz.

'He is dead.'

'How?'

I told her in few words.

'You should have slain him yourself; our son's blood is not


Montezuma's Daughter