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Today's Stichomancy for Coco Chanel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Adieu by Honore de Balzac:

rifled the carriage before de Sucy reached it. The old general and his young wife, whom he had left lying in piles of clothes and wrapped in mantles and pelisses, were now on the snow, crouching before the fire. One door of the carriage was already torn off.

No sooner did the men about the fire hear the tread of the major's horse than a hoarse cry, the cry of famine, arose,--

"A horse! a horse!"

Those voices formed but one voice.

"Back! back! look out for yourself!" cried two or three soldiers, aiming at the mare. Philippe threw himself before his animal, crying out,--

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

found at Rome, which records that a certain Sextilius Agesilaus Aedesius, who dedicated an altar to Attis and the mother of the gods (Cybele) was taurobolio criobolio que in aeternum renatus."[2] "In the procedure of the Taurobolia and Criobolia," says Mr. J. M. Robertson,[3] "which grew very popular in the Roman world, we have the literal and original meaning of the phrase 'washed in the blood of the lamb'[4]; the doctrine being that resurrection and eternal life were secured by drenching or sprinkling with the actual blood of a sacrificial bull or ram."[5] For the POPULARITY of the rite we may quote Franz Cumont, who


Pagan and Christian Creeds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dracula by Bram Stoker:

Men and women are so different in manifestations of nervous strength or weakness! Then when his face grew grave and stern again I asked him why his mirth, and why at such a time. His reply was in a way characteristic of him, for it was logical and forceful and mysterious. He said,

"Ah, you don't comprehend, friend John. Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, `May I come in?' is not true laughter. No! He is a king, and he come when and how


Dracula
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maitre Cornelius by Honore de Balzac:

"Ah! sire, you are too great a king! there is no sum that can pay for your justice."

Louis XI. smiled. The courtiers envied the frank speech and privileges of the old silversmith, who promptly disappeared down the avenue of young mulberries which led from Tours to Plessis.

Exhausted with fatigue, the young seigneur had indeed fallen soundly asleep. Returning from his gallant adventure, he no longer felt the same ardor and courage to defend himself against distant or imaginary dangers with which he had rushed into the perils of the night. He had even postponed till the morrow the cleaning of his soiled garments; a great blunder, in which all else conspired. It was true that, lacking