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Today's Stichomancy for Colin Farrell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gone With the Wind by Margaret Mitchell:

worriedly at her younger sister. Carreen, who had always been as delicately pink and white as the orchard blossoms that are scattered by the spring wind, was no longer pink but still conveyed in her sweet thoughtful face a blossomlike quality. She had been silent, a little dazed since she came back to consciousness and found Ellen gone, Scarlett a termagant, the world changed and unceasing labor the order of the new day. It was not in Carreen's delicate nature to adjust herself to change. She simply could not comprehend what had happened and she went about Tara like a sleepwalker, doing exactly what she was told. She looked, and was, frail but she was willing, obedient and obliging. When she was not


Gone With the Wind
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Last War: A World Set Free by H. G. Wells:

The man on the ground was badly hurt but plucky. 'Bombs,' he repeated, and struggled up into a kneeling position and held his electric torch full upon the face of the king. 'Shoot them,' he cried, coughing and spitting blood, so that the halo of light round the king's head danced about.

For a moment in that shivering circle of light the two men saw the king kneeling up in the cart and Peter on the barn floor beside him. The old fox looked at them sideways--snared, a white-faced evil thing. And then, as with a faltering suicidal heroism, he leant forward over the bomb before him, they fired together and shot him through the head.


The Last War: A World Set Free
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Blix by Frank Norris:

unbroken by a single echo. The night--the last night of the old year--was fine; the white, clear light from a moon they could not see grew wide and clear over the city, as the last gleam of the sunset faded. It was just warm enough for the window to be open, and for nearly three hours Condy and Blix sat looking down upon the city in these last moments of the passing year, feeling upon their faces an occasional touch of the breeze, that carried with it the smell of trees and flowers from the gardens below them, and the faint fine taint of the ocean from far out beyond the Heads. But the scene

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Massimilla Doni by Honore de Balzac:

comparable with the finest things ever invented by religious writers.

"How simple is the structure! Moses opens the attack in G minor, ending in a cadenza in B flat which allows the chorus to come in, /pianissimo/ at first, in B flat, returning by modulations to G minor. This splendid treatment of the voices, recurring three times, ends in the last strophe with a /stretto/ in G major of absolutely overpowering effect. We feel as though this hymn of a nation released from slavery, as it mounts to heaven, were met by kindred strains falling from the higher spheres. The stars respond with joy to the ecstasy of liberated mortals. The rounded fulness of the rhythm, the deliberate dignity of the graduations leading up to the outbursts of