| The first excerpt represents the past or something you must release, and is drawn from Resurrection by Leo Tolstoy: of the problem--i.e., not to think about it. He succeeded in doing
so. The life he was now entering upon, the new surroundings, new
friends, the war, all helped him to forget. And the longer he
lived, the less he thought about it, until at last he forgot it
completely.
Once only, when, after the war, he went to see his aunts in hopes
of meeting Katusha, and heard that soon after his last visit she
had left, and that his aunts had heard she had been confined
somewhere or other and had gone quite to the bad, his heart
ached. According to the time of her confinement, the child might
or might not have been his. His aunts said she had gone wrong,
 Resurrection |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Venus and Adonis by William Shakespeare: Comparing it to her Adonis' breath; 1172
And says within her bosom it shall dwell,
Since he himself is reft from her by death:
She drops the stalk, and in the breach appears
Green dropping sap, which she compares to tears.
'Poor flower,' quoth she, 'this was thy father's guise,
Sweet issue of a more sweet-smelling sire,
For every little grief to wet his eyes:
To grow unto himself was his desire, 1180
And so 'tis shine; but know, it is as good
To wither in my breast as in his blood.
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The third excerpt represents the future or something you must embrace, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson: greatly-improved gallows drop, brought the career of
Deacon William Brodie to an end. But still, by the
mind's eye, he may be seen, a man harassed below a
mountain of duplicity, slinking from a magistrate's
supper-room to a thieves' ken, and pickeering among the
closes by the flicker of a dark lamp.
Or where the Deacon is out of favour, perhaps some
memory lingers of the great plagues, and of fatal houses
still unsafe to enter within the memory of man. For in
time of pestilence the discipline had been sharp and
sudden, and what we now call 'stamping out contagion' was
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