| The first excerpt represents the past or something you must release, and is drawn from The Two Noble Kinsmen by William Shakespeare: What beds our slaine Kings have.
2. QUEEN.
What greifes our beds,
That our deere Lords have none.
3. QUEEN.
None fit for 'th dead:
Those that with Cordes, Knives, drams precipitance,
Weary of this worlds light, have to themselves
Beene deathes most horrid Agents, humaine grace
Affords them dust and shaddow.
1. QUEEN.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Somebody's Little Girl by Martha Young: brush!''
So Bessie Bell could only cry--and that very softly--and feel
ashamed as she was bid, and forget what it was that she remembered.
Bessie Bell might have remembered one time when a great house was
all desolate, and when nobody or nothing at all breathed in the
whole great big house, but one little tiny girl and one great big
white cat, with just one black spot on its tail.
The nurse that always had played so nicely with the tiny little girl
was lying with her cheek in her hand over yonder.
The Grandmother who had always talked so much to the tiny little
girl was not talking any more.
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The third excerpt represents the future or something you must embrace, and is drawn from The First Men In The Moon by H. G. Wells: the boom.
I stuck like a leech to the "we" - "you" and "I" didn't exist for me.
His idea was that the profits I spoke of might go to endow research, but
that, of course, was a matter we had to settle later. "That's all right,"
I shouted, " that's all right." The great point, as I insisted, was to get
the thing done.
"Here is a substance," I cried, "no home, no factory, no fortress, no ship
can dare to be without - more universally applicable even than a patent
medicine. There isn't a solitary aspect of it, not one of its ten thousand
possible uses that will not make us rich, Cavor, beyond the dreams of
avarice! "
 The First Men In The Moon |