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Today's Stichomancy for David Beckham

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

has to carry all the crockery one has finished using: it was the last time Thursdale ever allowed himself to be encumbered with the debris of a feast. He thus incidentally learned that the privilege of loving her is one of the least favors that a charming woman can accord; and in seeking to avoid the pitfalls of sentiment he had developed a science of evasion in which the woman of the moment became a mere implement of the game. He owed a great deal of delicate enjoyment to the cultivation of this art. The perils from which it had been his refuge became naively harmless: was it possible that he who now took his easy way along the levels had once preferred to gasp on the raw heights of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chance by Joseph Conrad:

Mrs. Fyne received this without the flutter of an eyelid. Fyne's masculine breast, as might have been expected, was pierced by that old, regulation shaft. He grunted most feelingly. I turned to him with false simplicity. "Don't you agree with me?"

"The very thing I've been telling my wife," he exclaimed in his extra-manly bass. "We have been discussing--"

A discussion in the Fyne menage! How portentous! Perhaps the very first difference they had ever had: Mrs. Fyne unflinching and ready for any responsibility, Fyne solemn and shrinking--the children in bed upstairs; and outside the dark fields, the shadowy contours of the land on the starry background of the universe, with the crude


Chance
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Human Drift by Jack London:

had been warned of "bad roads ahead." Yet we never found those bad roads. We seemed always to be just ahead of them or behind them. The farther we came the better the roads seemed, though this was probably due to the fact that we were learning more and more what four horses and a light rig could do on a road. And thus do I save my face with all the counties. I refuse to make invidious road comparisons. I can add that while, save in rare instances on steep pitches, I have trotted my horses down all the grades, I have never had one horse fall down nor have I had to send the rig to a blacksmith shop for repairs.

Also, I am learning to throw leather. If any tyro thinks it is

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

took his copy of the Sonnets off the mantelpiece, and sat down and gave me a long lecture on the whole subject.

'He began by pointing out that the young man to whom Shakespeare addressed these strangely passionate poems must have been somebody who was a really vital factor in the development of his dramatic art, and that this could not be said either of Lord Pembroke or Lord Southampton. Indeed, whoever he was, he could not have been anybody of high birth, as was shown very clearly by the 25th Sonnet, in which Shakespeare contrasting himself with those who are "great princes' favourites," says quite frankly -

Let those who are in favour with their stars