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Today's Stichomancy for David Beckham

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

(A'C', A'B') RECEDE LESS RAPIDLY INTO THE FOG: and what appear to me the Physician's extremities, viz. D' and E', will not be NOT SO DIM as the extremities of the Merchant.

The Reader will probably understand from these two instances how -- after a very long training supplemented by constant experience -- it is possible for the well-educated classes among us to discriminate with fair accuracy between the middle and lowest orders, by the sense of sight. If my Spaceland Patrons have grasped this general conception, so far as to conceive the possibility of it and not to reject my account as altogether incredible -- I shall have attained all I can reasonably expect. Were I to attempt


Flatland: A Romance of Many Dimensions
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Two Poets by Honore de Balzac:

indeed, great-uncles of the present Bargeton, went into business again, for which reason you will find the name of Mirault among Bordeaux merchants at this day. The lands of Bargeton, in Angoumois in the barony of Rochefoucauld, being entailed, and the house in Angouleme, called the Hotel Bargeton, likewise, the grandson of M. de Bargeton the Waster came in for these hereditaments; though the year 1789 deprived him of all seignorial rights save to the rents paid by his tenants, which amounted to some ten thousand francs per annum. If his grandsire had but walked in the ways of his illustrious progenitors, Bargeton I. and Bargeton II., Bargeton V. (who may be dubbed Bargeton the Mute by way of distinction) should by rights have

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Facino Cane by Honore de Balzac:

written on the back of the stone recorded the unhappy man's fate; he had fallen a victim to his great possessions; Venice had coveted his wealth and seized upon it. A whole month went by before I obtained any result; but whenever I felt my strength failing as I worked, I heard the chink of gold, I saw gold spread before me, I was dazzled by diamonds.--Ah! wait.

"One night my blunted steel struck on wood. I whetted the fragment of my blade and cut a hole; I crept on my belly like a serpent; I worked naked and mole-fashion, my hands in front of me, using the stone itself to gain a purchase. I was to appear before my judges in two days' time, I made a final effort, and that night I bored through the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pathology of Lying, Etc. by William and Mary Healy:

remarks were found later to be quite aside from the truth.

Telling us the story of her school career, Janet insists her memory had never been good for learning poems or for languages, particularly Latin, but anything in the way of a picture she could recall with ease. What she has read she often thinks of in the form of pictures. Concerning her lying she denied it was done particularly to cover up things, at least since the time when the habit was first formed. She feels that it really is a habit, a very bad one. She hardly knows she is going to prevaricate; the false statement comes out suddenly. In thinking about it all she harks back once more to that crowd of girls;