Today's Stichomancy for David Beckham
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Arizona Nights by Stewart Edward White: peaks across the way--and all the canon below us filled with
whirling mists--and the steel stars leaving us one by one? Where
could I find room for that in English paddocks? And do you
recall the day we trailed across the Yuma deserts, and the sun
beat into our skulls, and the dry, brittle hills looked like
papier-mache, and the grey sage-bush ran off into the rise of the
hills; and then came sunset and the hard, dry mountains grew
filmy, like gauze veils of many colours, and melted and glowed
and faded to slate blue, and the stars came out? The English
hills are rounded and green and curried, and the sky is near, and
the stars only a few miles up. And do you recollect that dark
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Recruit by Honore de Balzac: with military hardships. Though the moon was shining on the meadows
about Carentan, he had noticed heavy clouds on the horizon, and the
fear of being overtaken by a tempest may have hurried his steps, which
were certainly more brisk than his evident lassitude could have
desired. On his back was an almost empty bag, and he held in his hand
a boxwood stick, cut from the tall broad hedges of that shrub, which
is so frequent in Lower Normandy.
This solitary wayfarer entered Carentan, the steeples of which,
touched by the moonlight, had only just appeared to him. His step woke
the echoes of the silent streets, but he met no one until he came to
the shop of a weaver, who was still at work. From him he inquired his
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Some Reminiscences by Joseph Conrad: detached, impersonal glance upon themselves.
And that's a pity. They are unlucky. These two kinds, together
with the much larger band of the totally unimaginative, of those
unfortunate beings in whose empty and unseeing gaze (as a great
French writer has put it) "the whole universe vanishes into blank
nothingness," miss, perhaps, the true task of us men whose day is
short on this earth, the abode of conflicting opinions. The
ethical view of the universe involves us at last in so many cruel
and absurd contradictions, where the last vestiges of faith,
hope, charity, and even of reason itself, seem ready to perish,
that I have come to suspect that the aim of creation cannot be
 Some Reminiscences |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne: the head--pausing, however, in the act, to wonder what manner of
child was here. It was as if the spirit had gone out of him,
leaving the body to flourish in a sort of vegetable existence.
Not that Owen Warland was idiotic. He could talk, and not
irrationally. Somewhat of a babbler, indeed, did people begin to
think him; for he was apt to discourse at wearisome length of
marvels of mechanism that he had read about in books, but which
he had learned to consider as absolutely fabulous. Among them he
enumerated the Man of Brass, constructed by Albertus Magnus, and
the Brazen Head of Friar Bacon; and, coming down to later times,
the automata of a little coach and horses, which it was pretended
 Mosses From An Old Manse |
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