| The first excerpt represents the past or something you must release, and is drawn from In Darkest England and The Way Out by General William Booth: failed.
T.--Of Rotherhithe Slum. Was a great drunkard, is a carpenter;
saved about nine months ago, but, having to work in a public-house on a
Sunday, he gave it up; he has not been able to get another job, and has
nothing but what we have given him for making seats.
Emma Y.--Now a Soldier of the Marylebone Slum Post, was a wild young
Slummer when we opened in the Boro'; could be generally seen in the
streets, wretchedly clad, her sleeves turned up, idle, only worked
occasionally, got saved two years ago, had terrible persecution in her
home. We got her a situation, where she has been for nearly eighteen
months, and is now a good servant.
 In Darkest England and The Way Out |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Start in Life by Honore de Balzac: implacable in his hatreds, pursued him, discovered him, and finally
had him executed at Versailles. Moreau the son, heir to the doctrines
and friendships of his father, was concerned in one of the
conspiracies which assailed the First Consul on his accession to
power. At this crisis, Monsieur de Serizy, anxious to pay his debt of
gratitude, enabled Moreau, lying under sentence of death, to make his
escape; in 1804 he asked for his pardon, obtained it, offered him
first a place in his government office, and finally took him as
private secretary for his own affairs.
Some time after the marriage of his patron Moreau fell in love with
the countess's waiting-woman and married her. To avoid the annoyances
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The third excerpt represents the future or something you must embrace, and is drawn from Edition of The Ambassadors by Henry James: needfully to reckon with. They could easily make him irrelevant.
The oddity, the originality, the poetry--he didn't know what to
call it--of Chad's connexion reaffirmed for him its romantic side.
"They ought to see this, you know. They MUST."
"The Pococks?"--she looked about in deprecation; she seemed to see
gaps he didn't.
"Mamie and Sarah--Mamie in particular."
"My shabby old place? But THEIR things--!"
"Oh their things! You were talking of what will do something for
you--"
"So that it strikes you," she broke in, "that my poor place may?
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