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Today's Stichomancy for David Boreanaz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Gentle Grafter by O. Henry:

beauty, hereditaments and appurtenances set forth in the catalogue and writ of errors, or hereafter be held by a justice of the peace.'

"'Well,' says Andy, reconstructing his mind, 'maybe it would be safer in case the post office or the peace commission should try to investigate our agency. But where,' he says, 'could you hope to find a widow who would waste time on a matrimonial scheme that had no matrimony in it?'

"I told Andy that I thought I knew of the exact party. An old friend of mine, Zeke Trotter, who used to draw soda water and teeth in a tent show, had made his wife a widow a year before by drinking some dyspepsia cure of the old doctor's instead of the liniment that he

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

nobles, not only on Greenside, or by the King's Stables, where set tournaments were fought to the sound of trumpets and under the authority of the royal presence, but in every alley where there was room to cross swords, and in the main street, where popular tumult under the Blue Blanket alternated with the brawls of outlandish clansmen and retainers. Down in the palace John Knox reproved his queen in the accents of modern democracy. In the town, in one of those little shops plastered like so many swallows' nests among the buttresses of the old Cathedral, that familiar autocrat, James VI., would

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Altar of the Dead by Henry James:

it evidently had a fascination, often seated there in a maze or a doze; but half the satisfaction of the spot for this mysterious and fitful worshipper was that he found the years of his life there, and the ties, the affections, the struggles, the submissions, the conquests, if there had been such, a record of that adventurous journey in which the beginnings and the endings of human relations are the lettered mile-stones. He had in general little taste for the past as a part of his own history; at other times and in other places it mostly seemed to him pitiful to consider and impossible to repair; but on these occasions he accepted it with something of that positive gladness with which one adjusts one's self to an ache

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of War by Sun Tzu:

explained by Chang Yu: "One who seeks to conquer by sheer strength, clever though he may be at winning pitched battles, is also liable on occasion to be vanquished; whereas he who can look into the future and discern conditions that are not yet manifest, will never make a blunder and therefore invariably win."]

Making no mistakes is what establishes the certainty of victory, for it means conquering an enemy that is already defeated. 14. Hence the skillful fighter puts himself into a position which makes defeat impossible, and does not miss the moment for defeating the enemy.

[A "counsel of perfection" as Tu Mu truly observes.


The Art of War