Today's Stichomancy for David Bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Commission in Lunacy by Honore de Balzac:

"I cannot bear to keep them waiting, poor souls!--Well, and what do you want of me?"

"I have come to ask you to dine to-morrow with the Marquise d'Espard."

"A relation of ours?" asked Popinot, with such genuine absence of mind that Bianchon laughed.

"No, uncle; the Marquise d'Espard is a high and puissant lady, who has laid before the Courts a petition desiring that a Commission in Lunacy should sit on her husband, and you are appointed----"

"And you want me to dine with her! Are you mad?" said the lawyer, taking up the code of proceedings. "Here, only read this article, prohibiting any magistrate's eating or drinking in the house of either

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

'Well, I was thinking this,' he began: 'I was thinking I lay on Papeete beach one night--all moon and squalls and fellows coughing--and I was cold and hungry, and down in the mouth, and was about ninety years of age, and had spent two hundred and twenty of them on Papeete beach. And I was thinking I wished I had a ring to rub, or had a fairy godmother, or could raise Beelzebub. And I was trying to remember how you did it. I knew you made a ring of skulls, for I had seen that in the Freischultz: and that you took off your coat and turned up your sleeves, for I had seen Formes do that when he was playing Kaspar, and you could see (by the way he went about it) it was a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Protagoras by Plato:

Sophists under the milder aspect under which he once regarded them. Nor is there any reason to doubt that Socrates is equally an historical character, paradoxical, ironical, tiresome, but seeking for the unity of virtue and knowledge as for a precious treasure; willing to rest this even on a calculation of pleasure, and irresistible here, as everywhere in Plato, in his intellectual superiority.

The aim of Socrates, and of the Dialogue, is to show the unity of virtue. In the determination of this question the identity of virtue and knowledge is found to be involved. But if virtue and knowledge are one, then virtue can be taught; the end of the Dialogue returns to the beginning. Had Protagoras been allowed by Plato to make the Aristotelian distinction, and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tin Woodman of Oz by L. Frank Baum:

present form."

She took another biscuit from a plate and dipped it in a pot of honey and calmly began eating it.

The Scarecrow watched her thoughtfully.

"There are no fields of grain in your Valley," said he; "where, then. did you get the flour to make your biscuits?"

"Mercy me! do you think I'd bother to make biscuits out of flour?" she replied. "That is altogether too tedious a process for a Yookoohoo. I set some traps this afternoon and caught a lot of field-mice, but as I do not like to eat mice, I transformed them into hot

The Tin Woodman of Oz