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Today's Stichomancy for David Bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Little Rivers by Henry van Dyke:

must remain unknown. While they were on the line it was the general opinion that they were heavy trout; but no sooner had they departed, than I became firmly convinced, in accordance with a psychological law which holds good all over the world, that they were both enormous salmon. Even the Turks have a proverb which says, "Every fish that escapes appears larger than it is." No one can alter that conviction, because no one can logically refute it. Our best blessings, like our largest fish, always depart before we have time to measure them.

The Slide Pool is in the wildest and most picturesque part of the river, about thirty-five miles above Metapedia. The stream,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hidden Masterpiece by Honore de Balzac:

the weapon, comforted the poor girl, who half forgave him for thus sacrificing her to his art and to his hopes of a glorious future.

Porbus and Poussin remained outside the closed door of the atelier, looking at one another in silence. At first the painter of the Egyptian Mary uttered a few exclamations: "Ah, she unclothes herself!" --"He tells her to stand in the light!"--"He compares them!" but he grew silent as he watched the mournful face of the young man; for though old painters have none of such petty scruples in presence of their art, yet they admire them in others, when they are fresh and pleasing. The young man held his hand on his sword, and his ear seemed glued to the panel of the door. Both men, standing darkly in the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

Newly returned from foreign lands and fallen Upon a house without a host to greet him? I crave your pardon, kinsman. For a house Lacking a host is but an empty thing And void of honour; a cup without its wine, A scabbard without steel to keep it straight, A flowerless garden widowed of the sun. Again I crave your pardon, my sweet cousin.

BIANCA. This is no kinsman and no cousin neither.

SIMONE. No kinsman, and no cousin! You amaze me. Who is it then who with such courtly grace

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

I was myself, and not myself. When I could find voice, I shrieked aloud in agony, "Either this is madness or it is Hell." "It is neither," calmly replied the voice of the Sphere, "it is Knowledge; it is Three Dimensions: open your eye once again and try to look steadily."

I looked, and, behold, a new world! There stood before me, visibly incorporate, all that I had before inferred, conjectured, dreamed, of perfect Circular beauty. What seemed the centre of the Stranger's form lay open to my view: yet I could see no heart, nor lungs, nor arteries, only a beautiful harmonious Something -- for which I had no words; but you, my Readers in Spaceland,


Flatland: A Romance of Many Dimensions