Today's Stichomancy for David Bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson:

and measure with the false balances of love, and be in their own eyes and in all conjunctures the most guilty. Help us at the same time with the grace of courage, that we be none of us cast down when we sit lamenting amid the ruins of our happiness or our integrity: touch us with fire from the altar, that we may be up and doing to rebuild our city: in the name and by the method of him in whose words of prayer we now conclude.

FOR SELF-FORGETFULNESS

LORD, the creatures of thy hand, thy disinherited children, come before Thee with their incoherent wishes and regrets: Children we are, children we shall be, till our mother the earth hath fed upon

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Woodlanders by Thomas Hardy:

moods and meanings.

This was the condition of affairs between Winterborne and his neighbors after his stroke of ill-luck. He held his tongue; and they observed him, and knew that he was discomposed.

Mr. Melbury, in his compunction, thought more of the matter than any one else, except his daughter. Had Winterborne been going on in the old fashion, Grace's father could have alluded to his disapproval of the alliance every day with the greatest frankness; but to speak any further on the subject he could not find it in his heart to do now. He hoped that Giles would of his own accord make some final announcement that he entirely withdrew his

The Woodlanders

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Droll Stories, V. 1 by Honore de Balzac:

him a glistening glance to allure him the more and the better to draw him to her, like a fisher who gently jerks the lines in order to hook the gudgeon. To be brief: the countess practiced so well the profession of the daughters of pleasure when they work to bring grist into their mills, that one would have said nothing resembled a harlot so much as a woman of high birth. And indeed, on arriving at the porch of her hotel the countess hesitated to enter therein, and again turned her face towards the poor chevalier to invite him to accompany her, discharging at him so diabolical a glance, that he ran to the queen of his heart, believing himself to be called by her. Thereupon, she offered him her hand, and both boiling and trembling from the contrary

Droll Stories, V. 1

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twelve Stories and a Dream by H. G. Wells:

buoyant water I seemed to become something lighter and stronger than a man. And at last we came out dripping and rejoicing and raced among the rocks. And then I put on a dry bathing-dress, and we sat to bask in the sun, and presently I nodded, resting my head against her knee, and she put her hand upon my hair and stroked it softly and I dozed. And behold! as it were with the snapping of the string of a violin, I was awakening, and I was in my own bed in Liverpool, in the life of to-day.

"Only for a time I could not believe that all these vivid moments had been no more than the substance of a dream.

"In truth, I could not believe it a dream for all the sobering