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Today's Stichomancy for David Bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fanny Herself by Edna Ferber:

"Buyer of gloves at Haynes-Cooper, Father."

"You don't tell me, now!" He turned to Fanny, put his two big hands on her shoulders, and swung her around to face the light. "Hm," he murmured, noncommittally, after that.

"Hm--what?" demanded Fanny. "It sounds unflattering, whatever it means." "Gloves!" repeated Father Fitzpatrick, unheeding her. "Well, now, what d'you think of that! Millions of dollars' worth, I'll wager, in your time."

"Two million and a half in my department last year," replied Ella, without the least trace of boastfulness. One talked


Fanny Herself
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Plutarch's Lives by A. H. Clough:

them, and the indignation he expressed at the prospect that "there must be no end of war and toils, but in fighting with all nations, and wandering throughout all the world they must wear out their lives, receiving no other reward for their service than to guard the carriages and camels of Lucullus, laden with gold and precious goblets; while as for Pompey's soldiers, they were all citizens, living safe at home with their wives and children, on fertile lands, or in towns, and that, not after driving Mithridates and Tigranes into wild deserts, and overturning the royal cities of Asia, but after having merely reduced exiles in Spain, or fugitive slaves in Italy. Nay, if indeed we must never have an end of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Across The Plains by Robert Louis Stevenson:

know him. Well, in his dream-life, he passed a long day in the surgical theatre, his heart in his mouth, his teeth on edge, seeing monstrous malformations and the abhorred dexterity of surgeons. In a heavy, rainy, foggy evening he came forth into the South Bridge, turned up the High Street, and entered the door of a tall LAND, at the top of which he supposed himself to lodge. All night long, in his wet clothes, he climbed the stairs, stair after stair in endless series, and at every second flight a flaring lamp with a reflector. All night long, he brushed by single persons passing downward - beggarly women of the street, great, weary, muddy labourers, poor scarecrows of men, pale parodies of women - but all

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Voyage to Arcturus by David Lindsay:

carelessly sprinkled the sandy floor of the interior. A greenish, phosphorescent light gradually spread to the furthest limits of the cavern, and continued to illuminate it for the whole time they were there. There was no furniture. Some dried, fernlike leaves served for couches.

The moment she got in, Joiwind fell down in exhaustion. Her husband tended her with calm concern. He bathed her face, put drink to her lips, energised her with his magn, and finally laid her down to sleep. At the sight of the noble woman thus suffering on his account, Maskull was distressed.

Panawe, however, endeavoured to reassure him. "It's quite true this