| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Charmides by Plato: the Philebus. Much more truly is his own manner described by himself when
he says that 'words are more plastic than wax' (Rep.), and 'whither the
wind blows, the argument follows'. The dialogues of Plato are like poems,
isolated and separate works, except where they are indicated by the author
himself to have an intentional sequence.
It is this method of taking passages out of their context and placing them
in a new connexion when they seem to confirm a preconceived theory, which
is the defect of Dr. Jackson's procedure. It may be compared, though not
wholly the same with it, to that method which the Fathers practised,
sometimes called 'the mystical interpretation of Scripture,' in which
isolated words are separated from their context, and receive any sense
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Father Damien by Robert Louis Stevenson: to the beautiful Bishop-Home at Kalaupapa. At this point, in my
desire to make all fair for you, I will break my rule and adduce
Catholic testimony. Here is a passage from my diary about my visit
to the Chinatown, from which you will see how it is (even now)
regarded by its own officials: "We went round all the dormitories,
refectories, etc. - dark and dingy enough, with a superficial
cleanliness, which he" [Mr. Dutton, the lay-brother] "did not seek
to defend. 'It is almost decent,' said he; 'the sisters will make
that all right when we get them here.' " And yet I gathered it was
already better since Damien was dead, and far better than when he
was there alone and had his own (not always excellent) way. I have
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gettysburg Address by Abraham Lincoln: we cannot hallow this ground. The brave men, living and dead,
who struggled here have consecrated it, far above our poor power
to add or detract. The world will little note, nor long remember,
what we say here, but it can never forget what they did here.
It is for us the living, rather, to be dedicated here to the unfinished
work which they who fought here have thus far so nobly advanced.
It is rather for us to be here dedicated to the great task remaining
before us. . .that from these honored dead we take increased devotion
to that cause for which they gave the last full measure of devotion. . .
that we here highly resolve that these dead shall not have died in vain. . .
that this nation, under God, shall have a new birth of freedom. . .
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Love and Friendship by Jane Austen: to account for the money which our Grandfather had left me and
which they had unjustly deprived me of, but finding that I
mentioned nothing of the Matter, they desired me to step into the
Basket as we might there converse with greater ease. Accordingly I
entered and whilst the rest of the party were devouring green tea
and buttered toast, we feasted ourselves in a more refined and
sentimental Manner by a confidential Conversation. I informed them
of every thing which had befallen me during the course of my life,
and at my request they related to me every incident of theirs.
"We are the sons as you already know, of the two youngest
Daughters which Lord St Clair had by Laurina an italian opera
Love and Friendship |
