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Today's Stichomancy for David Geffen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

depreciatory."

"Not always, no," he said, looking at me with his boyish smile. "Fortunately, Louise doesn't agree with her family. She's willing to take me, war governor or no, provided her mother consents. She isn't overly-fond of her stepfather, but she adores her mother. And now, can't you see where this thing puts me? Down and out, with all of them."

"But the whole thing is absurd," I argued. "And besides, Gertrude's sworn statement that you left before Arnold Armstrong came would clear you at once."

Halsey got up and began to pace the room, and the air of


The Circular Staircase
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pericles by William Shakespeare:

No other than I appear.

PERICLES. I am great with woe, and shall deliver weeping. My dearest wife was like this maid, and such a one My daughter might have been: my queen's square brows; Her stature to an inch; as wand-like straight; As silver-voiced; her eyes as jewel-like And cased as richly; in pace another Juno; Who starves the ears she feeds, and makes them hungry, The more she gives them speech. Where do you live?

MARINA.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Songs of Travel by Robert Louis Stevenson:

His soldiers with emboldened ears Heard him laugh among the spears. He could deduce from age to age The web of island parentage; Best lay the rhyme, best lead the dance, For any festal circumstance: And fitly fashion oar and boat, A palace or an armour coat. None more availed than he to raise The strong, suffumigating blaze, Or knot the wizard leaf: none more,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gorgias by Plato:

temperance and avoid intemperance, and if possible escape the necessity of punishment, but if he have done wrong he must endure punishment. In this way states and individuals should seek to attain harmony, which, as the wise tell us, is the bond of heaven and earth, of gods and men. Callicles has never discovered the power of geometrical proportion in both worlds; he would have men aim at disproportion and excess. But if he be wrong in this, and if self-control is the true secret of happiness, then the paradox is true that the only use of rhetoric is in self-accusation, and Polus was right in saying that to do wrong is worse than to suffer wrong, and Gorgias was right in saying that the rhetorician must be a just man. And you were wrong in taunting me with my defenceless condition, and in saying that I