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Today's Stichomancy for Dean Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Prince of Bohemia by Honore de Balzac:

The Secrets of a Princess A Daughter of Eve Letters of Two Brides The Seamy Side of History The Muse of the Department A Man of Business The Unconscious Humorists

Nathan, Madame Raoul The Muse of the Department Lost Illusions A Distinguished Provincial at Paris

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

Fallen asleep to the tune of a Portuguese song in a garden.

City Vignettes

I Dawn

The greenish sky glows up in misty reds, The purple shadows turn to brick and stone, The dreams wear thin, men turn upon their beds, And hear the milk-cart jangle by alone.

II Dusk

The city's street, a roaring blackened stream

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Nada the Lily by H. Rider Haggard:

assegai--broke in two, leaving nothing but a little bit of stick in my hand. And the other one was upon me. Then in the darkness I saw a light. I fell on to my hands and knees and flung myself over sideways. My body struck the legs of the man who was about to stab me, lifting his feet from beneath him. Down he came heavily. Before he had touched the ground I was off it. His spear had fallen from his hand. I stooped, seized it, and as he rose I stabbed him through the back. It was all done in the shake of a leaf, my father; in the shake of a leaf he also was dead. Then I ran, for I had no stomach for the other two; my valour was gone.

About a hundred paces from me Baleka was staggering along with her


Nada the Lily
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Emma McChesney & Co. by Edna Ferber:

the happiness of their future life together.

Emma had said that there would be no rude awakenings for them, no startling shocks.

"There isn't a thing we don't know about each other," she had said. "We each know the other's weaknesses and strength. I hate the way you gnaw your mustache when you're troubled, and I think the fuss you make when the waiter pours your coffee without first having given you sugar and cream is the most absurd thing I've ever seen. But, then, I know how it annoys you to see me sitting with one slipper dangling from my toe, when I'm particularly comfortable and snug. You know how I like my eggs,


Emma McChesney & Co.