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Today's Stichomancy for Dean Martin

The first excerpt represents the past or something you must release, and is drawn from Sesame and Lilies by John Ruskin:

made"; but variable as the LIGHT, manifold in fair and serene division, that it may take the colour of all that it falls upon, and exalt it.

(II.) I have been trying, thus far, to show you what should be the place, and what the power of woman. Now, secondly, we ask, What kind of education is to fit her for these?

And if you indeed think this a true conception of her office and dignity, it will not be difficult to trace the course of education which would fit her for the one, and raise her to the other.

The first of our duties to her--no thoughtful persons now doubt this,--is to secure for her such physical training and exercise as

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Polly of the Circus by Margaret Mayo:

"Well, I ain't much on readin'--OUT LOUD," she faltered, growing suddenly conscious of her deficiencies. "Read it for me, will you?"

"Certainly," and he drew his chair nearer to the bed. One strong hand supported the other half of the Bible, and his head was very near to hers as his deep, full voice pronounced the solemn words in which Ruth pleaded so many years before.

" 'Entreat me not to leave thee,' " he read, " 'or to return from following after thee, for whither thou goest I will go, and where thou lodgest I will lodge. Thy people shall be my people, and thy God my God.' "

The third excerpt represents the future or something you must embrace, and is drawn from Adam Bede by George Eliot:

smallest possible amount of profane history; and for whom the motion and shape of the earth, the course of the sun, and the changes of the seasons lay in the region of mystery just made visible by fragmentary knowledge. It had cost Adam a great deal of trouble and work in overhours to know what he knew over and above the secrets of his handicraft, and that acquaintance with mechanics and figures, and the nature of the materials he worked with, which was made easy to him by inborn inherited faculty--to get the mastery of his pen, and write a plain hand, to spell without any other mistakes than must in fairness be attributed to the unreasonable character of orthography rather than to any


Adam Bede