Today's Stichomancy for Dean Martin
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The King of the Golden River by John Ruskin: with no Golden River to seek for. Level lines of dewy mist lay
stretched along the valley, out of which rose the massy mountains,
their lower cliffs in pale gray shadow, hardly distinguishable from
the floating vapor but gradually ascending till they caught the
sunlight, which ran in sharp touches of ruddy color along the
angular crags, and pierced, in long, level rays, through their
fringes of spearlike pine. Far above shot up red, splintered masses
of castellated rock, jagged and shivered into myriads of fantastic
forms, with here and there a streak of sunlit snow traced down their
chasms like a line of forked lightning; and far beyond and far above
all these, fainter than the morning cloud but purer and changeless,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Hero of Our Time by M.Y. Lermontov: with him for a couple of hours or so longer.
"We will have a splendid dinner," he said.
"I have two pheasants; and the Kakhetian wine
is excellent here . . . not what it is in Georgia,
of course, but still of the best sort. . . We will
have a talk. . . You will tell me about your
life in Petersburg. . . Eh?" . . .
"In truth, there's nothing for me to tell, dear
Maksim Maksimych. . . However, good-bye,
it is time for me to be off. . . I am in a hurry. . .
I thank you for not having forgotten me," he
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 1492 by Mary Johntson: than once or twice, in the great cabin, beneath the swinging
lantern, he repeated to us such passages, his voice making
great poetry of old words. ``Averroes saith--Albertus
Magnus saith--Aristotle saith--Seneca saith--Saint Augustine
saith--Esdras in his fourth book saith--'' Salt air
sweeping through seemed to fall into a deep, musical beat
and rhythm. ``After the council at Salamanca when great
churchmen cried Irreligion and even Heresy upon me, I
searched all Scripture and drew testimony together. In
fifty, yea, in a hundred places it is plain! King David saith
--job saith--Moses saith--Thus it reads in Genesis--''
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dracula by Bram Stoker: stepped out of the mist, or rather as if the mist had turned into
his figure, for it had entirely disappeared, stood a tall, thin man,
all in black. I knew him at once from the description of the others.
The waxen face, the high aquiline nose, on which the light fell
in a thin white line, the parted red lips, with the sharp white
teeth showing between, and the red eyes that I had seemed to see
in the sunset on the windows of St. Mary's Church at Witby.
I knew, too, the red scar on his forehead where Jonathan had struck him.
For an instant my heart stood still, and I would have screamed out,
only that I was paralyzed. In the pause he spoke in a sort of keen,
cutting whisper, pointing as he spoke to Jonathan.
 Dracula |
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