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Today's Stichomancy for Denise Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bucolics by Virgil:

To Amaryllis wending, our hearts' joy?- "While I am gone, 'tis but a little way, Feed, Tityrus, my goats, and, having fed, Drive to the drinking-pool, and, as you drive, Beware the he-goat; with his horn he butts."

MOERIS Ay, or to Varus that half-finished lay, "Varus, thy name, so still our Mantua live- Mantua to poor Cremona all too near- Shall singing swans bear upward to the stars."

LYCIDAS

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Idylls of the King by Alfred Tennyson:

Hath suffered misadventure, and my squire Hath in him small defence; but thou, Sir Prince, Wilt surely guide me to the warrior King, Arthur the blameless, pure as any maid, To get me shelter for my maidenhood. I charge thee by that crown upon thy shield, And by the great Queen's name, arise and hence.'

And Balin rose, 'Thither no more! nor Prince Nor knight am I, but one that hath defamed The cognizance she gave me: here I dwell Savage among the savage woods, here die--

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Virginian by Owen Wister:

"White wings!" sang the colonel through the hole. "Let 'em fly up and down."

"Coffee an' no milk," said the Virginian.

"Draw one in the dark!" the colonel roared.

"And beefsteak, rare."

"One slaughter in the pan, and let the blood drip!"

"I should like a glass of water, please," said I. The colonel threw me a look of pity.

"One Missouri and ice for the professor!" he said.

"That fello's a right live man," commented the Virginian. But he seemed thoughtful. Presently he inquired, "Yu' say he was a


The Virginian
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

ans backed quickly from the hut, and a more cautious fighter would have let them go their way in peace, for in the open four against one are odds no man may pit himself against with impunity. But Norman of Torn saw red when he fought and the red lured him ever on into the thickest of the fray. Only once before had he fought to the death, but that once had taught him the love of it, and ever after until his death it marked his manner of fighting; so that men who loathed and hated and feared him were as one with those who loved him in acknowledging that never before had God joined


The Outlaw of Torn