| The first excerpt represents the past or something you must release, and is drawn from Emma by Jane Austen: and moralising over her broad hems with a commiseration and good sense,
true and steady. How it would affect Frank was among the earliest
thoughts of both. It was also a very early speculation with Emma.
The character of Mrs. Churchill, the grief of her husband--her mind
glanced over them both with awe and compassion--and then rested
with lightened feelings on how Frank might be affected by the event,
how benefited, how freed. She saw in a moment all the possible good.
Now, an attachment to Harriet Smith would have nothing to encounter.
Mr. Churchill, independent of his wife, was feared by nobody;
an easy, guidable man, to be persuaded into any thing by his nephew.
All that remained to be wished was, that the nephew should form
Emma |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Figure in the Carpet by Henry James: general intention to earth, I found myself missing the subordinate
intentions I had formerly enjoyed. His books didn't even remain
the charming things they had been for me; the exasperation of my
search put me out of conceit of them. Instead of being a pleasure
the more they became a resource the less; for from the moment I was
unable to follow up the author's hint I of course felt it a point
of honour not to make use professionally of my knowledge of them.
I HAD no knowledge - nobody had any. It was humiliating, but I
could bear it - they only annoyed me now. At last they even bored
me, and I accounted for my confusion - perversely, I allow - by the
idea that Vereker had made a fool of me. The buried treasure was a
|
The third excerpt represents the future or something you must embrace, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson: if by any chance he was to ask you in, don't go."
Mr. Utterson's nerves, at this unlooked-for termination, gave
a jerk that nearly threw him from his balance; but he recollected
his courage and followed the butler into the laboratory building
through the surgical theatre, with its lumber of crates and
bottles, to the foot of the stair. Here Poole motioned him to
stand on one side and listen; while he himself, setting down the
candle and making a great and obvious call on his resolution,
mounted the steps and knocked with a somewhat uncertain hand on
the red baize of the cabinet door.
"Mr. Utterson, sir, asking to see you," he called; and even as
The Strange Case of Dr. Jekyll and Mr. Hyde |
