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Today's Stichomancy for Denise Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Songs of Innocence and Experience by William Blake:

And he laughing said to me:

'Pipe a song about a Lamb!' So I piped with merry cheer. 'Piper, pipe that song again.' So I piped: he wept to hear.

'Drop thy pipe, thy happy pipe; Sing thy songs of happy cheer!' So I sung the same again, While he wept with joy to hear.

'Piper, sit thee down and write In a book, that all may read.'


Songs of Innocence and Experience
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from All's Well That Ends Well by William Shakespeare:

complaints I have heard of you I do not all believe; 'tis my slowness that I do not; for I know you lack not folly to commit them, and have ability enough to make such knaveries yours.

CLOWN. 'Tis not unknown to you, madam, I am a poor fellow.

COUNTESS. Well, sir.

CLOWN. No, madam, 'tis not so well that I am poor, though many of the rich are damned: but if I may have your ladyship's good will to go to the world, Isbel the woman and I will do as we may.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Domestic Peace by Honore de Balzac:

"The Master does not love the Artillery."

"No, but he adores the nobility, and you are an aristocrat. The Master said," added Montcornet, "that the men who had married in Paris during the campaign were not therefore to be considered in disgrace. Well then?"

The Comte de Soulanges looked as if he understood nothing of this speech.

"And now I hope," the Colonel went on, "that you will tell me if you know a charming little woman who is sitting under a huge candelabrum----"

At these words the Count's face lighted up; he violently seized the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Wuthering Heights by Emily Bronte:

troubled: now with his selfishness and spite, and now with his sufferings: but I've learned to endure the former with nearly as little resentment as the latter. Mr. Heathcliff purposely avoids me: I have hardly seen him at all. Last Sunday, indeed, coming earlier than usual, I heard him abusing poor Linton cruelly for his conduct of the night before. I can't tell how he knew of it, unless he listened. Linton had certainly behaved provokingly: however, it was the business of nobody but me, and I interrupted Mr. Heathcliff's lecture by entering and telling him so. He burst into a laugh, and went away, saying he was glad I took that view of the matter. Since then, I've told Linton he must whisper his


Wuthering Heights