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Today's Stichomancy for Denzel Washington

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mayflower Compact:

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These original Project Gutenberg Etexts will be compiled into a file containing them all, in order to improve the content ratios of Etext to header material.

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The Mayflower Compact

November 11, 1620 [This was November 21, old style calendar]

In the name of God, Amen. We, whose names are underwritten,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Commission in Lunacy by Honore de Balzac:

discovered this crowning absurdity at the moment when his uncle entered the Marquise's room.

A brief sketch of the person and the career of the lady in whose presence the doctor and the judge now found themselves is necessary for an understanding of her interview with Popinot.

Madame d'Espard had, for the last seven years, been very much the fashion in Paris, where Fashion can raise and drop by turns various personages who, now great and now small, that is to say, in view or forgotten, are at last quite intolerable--as discarded ministers are, and every kind of decayed sovereignty. These flatterers of the past, odious with their stale pretensions, know everything, speak ill of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Golden Threshold by Sarojini Naidu:

The winds thy heralds and thy vassals all The silver-belted planets and the sun. Where'er the radiance of thy coming fall, Shall dawn for thee her saffron footcloths spread, Sunset her purple canopies and red, In serried splendour, and the night unfold Her velvet darkness wrought with starry gold For kingly raiment, soft as cygnet-down. My hair shall braid thy temples like a crown Of sapphires, and my kiss upon thy brows Like cithar-music lull thee to repose,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Youth by Joseph Conrad:

on the level of water, intensified by the silence of the shore into loud claps, made me jump up. A boat, a European boat, was coming in. I invoked the name of the dead; I hailed: Judea ahoy! A thin shout an- swered.

"It was the captain. I had beaten the flagship by three hours, and I was glad to hear the old man's voice, tremu- lous and tired. 'Is it you, Marlow?' 'Mind the end of that jetty, sir,' I cried.

"He approached cautiously, and brought up with the deep-sea lead-line which we had saved--for the under-


Youth