| The first excerpt represents the past or something you must release, and is drawn from The Hunting of the Snark by Lewis Carroll: We have never beheld till now!
"Come, listen, my men, while I tell you again
The five unmistakable marks
By which you may know, wheresoever you go,
The warranted genuine Snarks.
"Let us take them in order. The first is the taste,
Which is meager and hollow, but crisp:
Like a coat that is rather too tight in the waist,
With a flavor of Will-o-the-wisp.
"Its habit of getting up late you'll agree
That it carries too far, when I say
 The Hunting of the Snark |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Wizard of Oz by L. Frank Baum: murmuring in a voice very grateful to a little girl who had lived
so long on the dry, gray prairies.
While she stood looking eagerly at the strange and beautiful
sights, she noticed coming toward her a group of the queerest
people she had ever seen. They were not as big as the grown
folk she had always been used to; but neither were they very small.
In fact, they seemed about as tall as Dorothy, who was a well-grown
child for her age, although they were, so far as looks go, many
years older.
Three were men and one a woman, and all were oddly dressed.
They wore round hats that rose to a small point a foot above their
 The Wizard of Oz |
The third excerpt represents the future or something you must embrace, and is drawn from This Side of Paradise by F. Scott Fitzgerald: amazing things that they do about once in a hundred years.
They've seized an idea."
"What is it?"
"That however the brains and abilities of men may differ, their
stomachs are essentially the same."
THE LITTLE MAN GETS HIS
"If you took all the money in the world," said the little man
with much profundity, "and divided it up in equ"
"Oh, shut up!" said Amory briskly and, paying no attention to the
little man's enraged stare, he went on with his argument.
"The human stomach" he began; but the big man interrupted rather
 This Side of Paradise |