| The first excerpt represents the past or something you must release, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle: Your task is confined to that. When you raise your cry of fire,
it will be taken up by quite a number of people. You may then
walk to the end of the street, and I will rejoin you in ten
minutes. I hope that I have made myself clear?"
"I am to remain neutral, to get near the window, to watch you,
and at the signal to throw in this object, then to raise the cry
of fire, and to wait you at the corner of the street."
"Precisely."
"Then you may entirely rely on me."
"That is excellent. I think, perhaps, it is almost time that I
prepare for the new role I have to play."
 The Adventures of Sherlock Holmes |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Idylls of the King by Alfred Tennyson: Then--as a stream that spouting from a cliff
Fails in mid air, but gathering at the base
Re-makes itself, and flashes down the vale--
Went on in passionate utterance:
`Gone--my lord!
Gone through my sin to slay and to be slain!
And he forgave me, and I could not speak.
Farewell? I should have answered his farewell.
His mercy choked me. Gone, my lord the King,
My own true lord! how dare I call him mine?
The shadow of another cleaves to me,
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The third excerpt represents the future or something you must embrace, and is drawn from Prufrock/Other Observations by T. S. Eliot: With the smoke coming down above the housetops;
Doubtful, for quite a while
Not knowing what to feel or if I understand
Or whether wise or foolish, tardy or too soon ...
Would she not have the advantage, after all?
This music is successful with a "dying fall"
Now that we talk of dying--
And should I have the right to smile?
Preludes
I
The winter evening settles down
 Prufrock/Other Observations |