Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Dick Cheney

The first excerpt represents the past or something you must release, and is drawn from The Voice of the City by O. Henry:

"No man would kick a woman," said Peters, vir- tuously. "A little choking - just a touch on the windpipe - that gets away with 'em - and no marks left. Wait for me. I'll bring back that dollar, boys."

High up in a tenement-house between Second Ave- nue and the river lived the Peterses in a back room so gloomy that the landlord blushed to take the rent for it. Mrs. Peters worked at sundry times, doing odd jobs of scrubbing and washing. Mr. Peters had a pure, unbroken record of five years without having earned a penny. And yet they clung together, shar-


The Voice of the City
The second excerpt represents the present or the deciding factor of the moment, and is drawn from In the Cage by Henry James:

but fate was fate, and this young lady's was to pass Park Chambers every night in the working week. Out of the immensity of her knowledge of the life of the world there bloomed on these occasions as specific remembrance that it was regarded in that region, in August and September, as rather pleasant just to be caught for something or other in passing through town. Somebody was always passing and somebody might catch somebody else. It was in full cognisance of this subtle law that she adhered to the most ridiculous circuit she could have made to get home. One warm dull featureless Friday, when an accident had made her start from Cocker's a little later than usual, she became aware that something

The third excerpt represents the future or something you must embrace, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

He ceased, speechless for fury; and some time elapsed before I could induce him to resume his narrative.

"You will not, of course, suppose that every bachelor among us finds his mates at the first wooing in this universal Marriage Chorus. On the contrary, the process is by most of us many times repeated. Few are the hearts whose happy lot it is at once to recognize in each other's voices the partner intended for them by Providence, and to fly into a reciprocal and perfectly harmonious embrace. With most of us the courtship is of long duration. The Wooer's voices may perhaps accord with one of the future wives, but not with both; or not, at first, with either; or the Soprano and Contralto


Flatland: A Romance of Many Dimensions